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Ass, Cinderella , and Click: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
Ass, Cinderella , and Click: kaylapocalypse:
 ok 
so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice.
The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific. 
I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture.
This scene in particular illustrates it especially well; particularly for being only like 1 minute long.
Highlights/Breakdown
The timing in the way Robin says savior and the way he says beast. 
the character solidifying disregard and disrespect of “Please! Monster!”
Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat
Just the entire french accent that isn’t even a good french accent at all.
The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background 
Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss”
shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit. 
“what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures. 
When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke
Fiona interrupting robin with a kick.
the fuckin sound his head makes when it hits the rock. 
The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef*
Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.

kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you shou...

Tumblr, Blog, and Com: epicjohndoe: The Importance Of Airbag Timing
Tumblr, Blog, and Com: epicjohndoe:

The Importance Of Airbag Timing

epicjohndoe: The Importance Of Airbag Timing

Being Alone, Apparently, and Bad: Sp3ctre7171 points 3 hours ago You are absolutely correct 1) Miro learned to use the mobility of Winston, as well as his primal, to invent modern dive. He learned all of the tips and tricks and extracted extra value out of the hero that few realized was there. In doing so, he created a role that used main tank as an offensive centerpiece and threat to the backline, and all of a sudden flank heroes weren't alone. A poorly protected ana in the back could be beset by multiple members of the enemy team without much warning. However, this required both new gamesense from miro, and innovations in lucio play from Tobi. Specifically, tobi was able to peel for jehong better than many players thought was possible, compensating for the lack of defensive shields. The compounding innovation led to LH being an offensive threat at every position, and it made it possible for them to do the miraculous turnarounds that defined their APEX championship runs Playing against them was exhausting, as is expected from a team where any one member can wipe you out if left unchecked. 2) Gesture's contribution was twofold. Firstly, he extracted more value out of winston's kit on the defensive side, learning how to use primal both to continue an attack, and to peel for his own back line, which leads into his second main development. That being, under Gesture the final decision was made to transfer shotcalling duties from the main support (lucio and later mercy) and onto the main tank, primarily because engagements were no longer dictated by speed boost, but by the dive from the main tank. Together with the rest of GC Busan, Gesture planned, called, and executed crisp dives that were far better timed and aimed than those of old LH. Whereas Miro's dives were a terror because you would be under attack from multiple divers, the style that Gesture led the way on involved being instantly deleted by a full dive, where a healer pair could be hit with burst from multiple heroes in the same instant. This in turn changed the Winston interplay into a mind game, where there was a choice to be made between deleting the enemy's backline and attempting to save your own. Winston players were forced to learn how to make each leap and pincer engage perfect, or they would simply lose the fight Permalink Embed Save Parent Report Give Gold Reply Sp3ctre7160 points 3 hours ago (Continued) 3) what guxue is introducing is a Winston as the focus of a dive, not just the linchpin. While that sounds like the same thing previously, the Winston would be used to coordinate dives and call the timing, but with Guxue, resources are poured into the Winston to make sure that he can have offensive value. Both because Winston can do damage to the whole team at once (and thus build ult insanely fast against teams pocketing a zen, or against GOATS comps), but also because Winston can simultaneously disrupt the escape methods for healers AND bypass most of the ways in which healers are protected, such as matrix and shields Guxue's innovations are most similar to miro's in that they are mostly focused on a single player's style and that one hero's impact in a game. Changing the offensive presence of a hero is impactful and increases the visible skill gap between good and bad teams, but the effects are mostly limited to that one hero. For that reason, I think that the innovations brought forth by Gesture (and many others) are the most important to the development of modern Winston play, in that they represented a fundamental change in the whole shotcalling and tactical philosophy of dive teams, and opened the gates to the more complex and match specific strategies that we saw in the overwatch league owldesk: some really good tank playstyle analysis on reddit (as a side note, this guy is apparently gonna have analysis articles out soon and you better BELIEVE i’m gonna link them bc if they’re anything like this write up they’ll be great)
Being Alone, Apparently, and Bad: Sp3ctre7171 points 3 hours ago
 You are absolutely correct
 1) Miro learned to use the mobility of Winston, as well as his primal, to invent modern dive. He learned all of the tips and tricks
 and extracted extra value out of the hero that few realized was there. In doing so, he created a role that used main tank as an
 offensive centerpiece and threat to the backline, and all of a sudden flank heroes weren't alone. A poorly protected ana in the
 back could be beset by multiple members of the enemy team without much warning. However, this required both new gamesense
 from miro, and innovations in lucio play from Tobi. Specifically, tobi was able to peel for jehong better than many players thought
 was possible, compensating for the lack of defensive shields. The compounding innovation led to LH being an offensive threat at
 every position, and it made it possible for them to do the miraculous turnarounds that defined their APEX championship runs
 Playing against them was exhausting, as is expected from a team where any one member can wipe you out if left unchecked.
 2) Gesture's contribution was twofold. Firstly, he extracted more value out of winston's kit on the defensive side, learning how to
 use primal both to continue an attack, and to peel for his own back line, which leads into his second main development. That
 being, under Gesture the final decision was made to transfer shotcalling duties from the main support (lucio and later mercy) and
 onto the main tank, primarily because engagements were no longer dictated by speed boost, but by the dive from the main tank.
 Together with the rest of GC Busan, Gesture planned, called, and executed crisp dives that were far better timed and aimed than
 those of old LH. Whereas Miro's dives were a terror because you would be under attack from multiple divers, the style that
 Gesture led the way on involved being instantly deleted by a full dive, where a healer pair could be hit with burst from multiple
 heroes in the same instant. This in turn changed the Winston interplay into a mind game, where there was a choice to be made
 between deleting the enemy's backline and attempting to save your own. Winston players were forced to learn how to make each
 leap and pincer engage perfect, or they would simply lose the fight
 Permalink Embed Save Parent Report Give Gold Reply
 Sp3ctre7160 points 3 hours ago
 (Continued)
 3) what guxue is introducing is a Winston as the focus of a dive, not just the linchpin. While that sounds like the same thing
 previously, the Winston would be used to coordinate dives and call the timing, but with Guxue, resources are poured into the
 Winston to make sure that he can have offensive value. Both because Winston can do damage to the whole team at once (and
 thus build ult insanely fast against teams pocketing a zen, or against GOATS comps), but also because Winston can
 simultaneously disrupt the escape methods for healers AND bypass most of the ways in which healers are protected, such as
 matrix and shields
 Guxue's innovations are most similar to miro's in that they are mostly focused on a single player's style and that one hero's impact
 in a game. Changing the offensive presence of a hero is impactful and increases the visible skill gap between good and bad
 teams, but the effects are mostly limited to that one hero. For that reason, I think that the innovations brought forth by Gesture
 (and many others) are the most important to the development of modern Winston play, in that they represented a fundamental
 change in the whole shotcalling and tactical philosophy of dive teams, and opened the gates to the more complex and match
 specific strategies that we saw in the overwatch league
owldesk:

some really good tank playstyle analysis on reddit (as a side note, this guy is apparently gonna have analysis articles out soon and you better BELIEVE i’m gonna link them bc if they’re anything like this write up they’ll be great)

owldesk: some really good tank playstyle analysis on reddit (as a side note, this guy is apparently gonna have analysis articles out soon a...

Apparently, Bitch, and Dude: Hacker Scripts Based on a true story. xoox: OK, so, our build engineer has left for another company. The dude was literally living inside the terminal. You know that type of a guy who loves Vim, creates diagrams in Dot and writes wiki-posts in Markdown... I fsomething- anything requires more than 90 seconds of his time, he writes a script to automate that. xxoc: So we're sitting here, looking through his, uhm, "legacy xxx: You're gonna love this ooc: smack-my-bitch-up.sh -sends a text message "late at work" to his wife (apparently). Automatically picks reasons from an array of strings, randomly. Runs inside a cron-job. The job fires if there are active SSH-sessions on the server after 9pm with his login xxox: kumar-asshole.sh - scans the inbox for emails from "Kumar" (a DBA at our clients). Looks for keywords like "help" trouble", "sorry" etc. If keywords are found - the script SSHes into the clients server and rolls back the staging database to the latest backup. Then sends a reply "no worries mate, be careful next time" xxx: hangover.sh - another cron-job that is set to specific dates. Sends automated emails like "not feeling well/gonna work from home" etc. Adds a random "reason" from another predefined array of strings. Fires if there are no interactive sessions on the server at 8:45am xoox: (and the oscar goes to) fucking-coffee. sh this one waits exatly 17 seconds(), then opens a telnet session to our coffee-machine (we had no frikin idea the coffee machine is on the network, runs linux and has a TCP socket up and running) and sends something like sys brew.Turns out this thing starts brewing a mid-sized half-caf latte and waits another 24 () seconds before pouring it into a cup. The timing is exactly how long it takes to walk to the machine from the dudes desk. xoxx: holy sh"t I'm keeping those I found this on an old Git account
Apparently, Bitch, and Dude: Hacker Scripts
 Based on a true story.
 xoox: OK, so, our build engineer has left for another company. The dude was literally living inside the terminal. You know
 that type of a guy who loves Vim, creates diagrams in Dot and writes wiki-posts in Markdown... I fsomething- anything
 requires more than 90 seconds of his time, he writes a script to automate that.
 xxoc: So we're sitting here, looking through his, uhm, "legacy
 xxx: You're gonna love this
 ooc: smack-my-bitch-up.sh -sends a text message "late at work" to his wife (apparently). Automatically picks reasons
 from an array of strings, randomly. Runs inside a cron-job. The job fires if there are active SSH-sessions on the server
 after 9pm with his login
 xxox: kumar-asshole.sh - scans the inbox for emails from "Kumar" (a DBA at our clients). Looks for keywords like "help"
 trouble", "sorry" etc. If keywords are found - the script SSHes into the clients server and rolls back the staging database
 to the latest backup. Then sends a reply "no worries mate, be careful next time"
 xxx: hangover.sh - another cron-job that is set to specific dates. Sends automated emails like "not feeling well/gonna
 work from home" etc. Adds a random "reason" from another predefined array of strings. Fires if there are no interactive
 sessions on the server at 8:45am
 xoox: (and the oscar goes to) fucking-coffee. sh this one waits exatly 17 seconds(), then opens a telnet session to
 our coffee-machine (we had no frikin idea the coffee machine is on the network, runs linux and has a TCP socket up and
 running) and sends something like sys brew.Turns out this thing starts brewing a mid-sized half-caf latte and waits
 another 24 () seconds before pouring it into a cup. The timing is exactly how long it takes to walk to the machine from
 the dudes desk.
 xoxx: holy sh"t I'm keeping those
I found this on an old Git account

I found this on an old Git account

Dancing, Disney, and Drinking: y Carl brydeswhale: mcloveleigh: peathefeary: brunhiddensmusings: protectblkwomen: badgyal-k: meanmisscharles: lessdanthree: what drugs were they on when they made this Cab Calloway rotascoped! Whoever thought of this was drinking absinthe Thanks, Now I have nightmares this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickelsfleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic idk why this is making me so emotional??? I love this. I’ve always had a love for cartoons This was what they were trying to emulate with the highway man’s song in over the garden wall.
Dancing, Disney, and Drinking: y Carl
brydeswhale:

mcloveleigh:


peathefeary:


brunhiddensmusings:

protectblkwomen:

badgyal-k:


meanmisscharles:


lessdanthree:
what drugs were they on when they made this

Cab Calloway rotascoped!


Whoever thought of this was drinking absinthe 


Thanks, Now I have nightmares 

this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die
most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickelsfleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic 


idk why this is making me so emotional???


I love this. I’ve always had a love for cartoons


This was what they were trying to emulate with the highway man’s song in over the garden wall.

brydeswhale: mcloveleigh: peathefeary: brunhiddensmusings: protectblkwomen: badgyal-k: meanmisscharles: lessdanthree: what drugs ...