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Bitch, Friends, and Fucking: Trade Pokmon Auricular Nintendo DS and secrets with your friends! Trade you my WeaVile Cor MUnChla ays some nintendo Wi-Fi MunChlax is pretty hot.. fry again. Go to NintendoWiFi.comm to get started! Selection may vary at retail. Games, system, and headset sold separately. Pokéde tabaquis-barking: kiyotakamine: kiyotakamine: munchlax is pretty hot happy 10 year anniversary of munchlax being pretty hot Actually know what reblogging again bc the girl with the white ds knows what the FUCK is up and pink girl is either a dumbass or a scammer. In DPP (Diamond/Pearl/Platinum) sneasel shows up on five different routes, and then evolves into weavile when leveled with a razor claw at night. Razor claws aren’t hard to find either, so while there’s minimal effort involved here, weavile isn’t really special. Munchlax, though? Jesus fuck. Jesus fucking christ. Munchlax in DPP is one of the most difficult Pokémon in ANY of the games—if not the absolute most difficult. DPP has a mechanic where you could slather honey on certain trees, and six hours later a Pokémon would turn up on the tree. Several of the Pokémon you could get this way were common, but some could ONLY be obtained from honey trees. You couldn’t change the DS system’s time to speed things up, because the trees ran on their own counter—so you HAD to wait six hours for a Pokémon to show up. It gets worse. There were 21 of these honey trees in the game, and regardless of the tree’s location, and tree could summon any of the “honey tree Pokémon…” Except. Fucking. Munchlax. Only FOUR trees in the game had the potential to summon Munchlax. Which trees, you ask? Guess. No, literally, take a fucking guess—because the four trees that can summon Munchlax are decided at random based on your trainer ID and secret ID. There is NO way to determine which trees they are unless you feel like hacking into your game’s data and then doing some weird complicated math. That’s not all. You thought that was all? You thought Munchlax was a merciful god that would take pity on your tiny, pathetic body? Oh no. Not even close. Munchlax isn’t done with you yet, Munchlax is going to peel you like a fucking mango and laugh while you cry. Munchlax only has a 1% encounter rate. ONE. PERCENT. As in 1/100. So to recap—4/21 honey trees (and you don’t know which ones) have a 1% chance of summoning this little motherfucker once every six hours. That’s it. No fast tracking, no cheats, and no workarounds. Munchlax in DPP is the holy grail of hard to find Pokémon. And pinky here has the AUDACITY to offer the MUCH more easily obtainable weavile for it. Fuck that. Fuck that!!! White DS girl knows what the FUCK is up!!! In conclusion; Munchlax is pretty hot… Try again. Bitch.
Bitch, Friends, and Fucking: Trade Pokmon
 Auricular Nintendo DS
 and secrets
 with your
 friends!
 Trade you my
 WeaVile
 Cor
 MUnChla
 ays some
 nintendo
 Wi-Fi
 MunChlax
 is pretty hot..
 fry again.
 Go to
 NintendoWiFi.comm
 to get started!
 Selection may vary at retail. Games, system, and headset sold separately.
 Pokéde
tabaquis-barking:
kiyotakamine:

kiyotakamine:
munchlax is pretty hot
happy 10 year anniversary of munchlax being pretty hot

Actually know what reblogging again bc the girl with the white ds knows what the FUCK is up and pink girl is either a dumbass or a scammer. 
In DPP (Diamond/Pearl/Platinum) sneasel shows up on five different routes, and then evolves into weavile when leveled with a razor claw at night. Razor claws aren’t hard to find either, so while there’s minimal effort involved here, weavile isn’t really special.
Munchlax, though? Jesus fuck. Jesus fucking christ. Munchlax in DPP is one of the most difficult Pokémon in ANY of the games—if not the absolute most difficult. DPP has a mechanic where you could slather honey on certain trees, and six hours later a Pokémon would turn up on the tree. Several of the Pokémon you could get this way were common, but some could ONLY be obtained from honey trees. You couldn’t change the DS system’s time to speed things up, because the trees ran on their own counter—so you HAD to wait six hours for a Pokémon to show up.
It gets worse. There were 21 of these honey trees in the game, and regardless of the tree’s location, and tree could summon any of the “honey tree Pokémon…”
Except. Fucking. Munchlax.
Only FOUR trees in the game had the potential to summon Munchlax. Which trees, you ask? Guess. No, literally, take a fucking guess—because the four trees that can summon Munchlax are decided at random based on your trainer ID and secret ID. There is NO way to determine which trees they are unless you feel like hacking into your game’s data and then doing some weird complicated math.
That’s not all. You thought that was all? You thought Munchlax was a merciful god that would take pity on your tiny, pathetic body? Oh no. Not even close. Munchlax isn’t done with you yet, Munchlax is going to peel you like a fucking mango and laugh while you cry. 
Munchlax only has a 1% encounter rate. 
ONE. PERCENT. As in 1/100. 
So to recap—4/21 honey trees (and you don’t know which ones) have a 1% chance of summoning this little motherfucker once every six hours. That’s it. No fast tracking, no cheats, and no workarounds. Munchlax in DPP is the holy grail of hard to find Pokémon.
And pinky here has the AUDACITY to offer the MUCH more easily obtainable weavile for it. Fuck that. Fuck that!!! White DS girl knows what the FUCK is up!!!
In conclusion;
Munchlax is pretty hot… Try again.

Bitch.

tabaquis-barking: kiyotakamine: kiyotakamine: munchlax is pretty hot happy 10 year anniversary of munchlax being pretty hot Actually know ...

Bored, Facebook, and Fuck You: 88% 9:31 AM rainnecassidy If you're old enough to remember it, you just lost The Game. raggedyanndy proncus I have no idea what's going on here witchaj Back in the early aughts, when many mil- lenials were in high school, before Facebook and Youtube, The Game began. No one knows who started it, but the moment we learned we were playing it, we began to lose. The goal of The Game is to forget you are playing The Game for as long as possible. The rules The Game are as follows: Everyone is ays playing The Game all the time; at school, during breakfast, at night when you are asleep, etc. The Game never ends. The moment you remember that you are playing The Game, you lose and must immediately announce to those around you, "I just lost The Game!" thus making them remember they are also playing The Game and causing them to lose as well. Upon losing, you begin The Game again. Sometimes players could go weeks or months without losing, sometimes only minutes. At the height of The Game's popularity, it became common to see people at events such as Comic Con or midnight movie premieres, wearing t-shirts proclaiming You just lost The Game!" Once they were noticed, groans and shouts of "Fuck you!" could be heard for miles. These people rived on the chaos, taking great pleasure in the cries of their victims. Most people eventually grew bored of The Game, and many began to claim they won by choosing not to care about it anymore. Some rely on a particular XKCD comic strip or Tumblr post to lend a sense of legitimacy to their feeli of victory. They are fools. It is impossible to win The Game. There is only losing. Only a few diehards remain loyal to the rules. The drop in popularity has allowed many to keep m losing The Game for years at a time. The growth of social media has caused a minor resurgence, although without the satisfaction of real time auditory feedback when caus others to lose, The Game will likely fade back into obscurity once again. Someday whern we are old and gray, our grandchildren will innocently ask us to play a game of checkers, and we will shriek and shout until the whole nursing home joins us in defeat. Death is the only release from The Game Source: rainnecassidy #101 #goshi remember this #but also Is this loss?
Bored, Facebook, and Fuck You: 88% 9:31 AM
 rainnecassidy
 If you're old enough to
 remember it, you just
 lost The Game.
 raggedyanndy
 proncus
 I have no idea what's going on here
 witchaj
 Back in the early aughts, when many mil-
 lenials were in high school, before Facebook
 and Youtube, The Game began. No one knows
 who started it, but the moment we learned
 we were playing it, we began to lose. The
 goal of The Game is to forget you are playing
 The Game for as long as possible. The rules
 The Game are as follows: Everyone is
 ays playing The Game all the time; at
 school, during breakfast, at night when you
 are asleep, etc. The Game never ends. The
 moment you remember that you are playing
 The Game, you lose and must immediately
 announce to those around you, "I just lost
 The Game!" thus making them remember
 they are also playing The Game and causing
 them to lose as well. Upon losing, you begin
 The Game again. Sometimes players could go
 weeks or months without losing, sometimes
 only minutes. At the height of The Game's
 popularity, it became common to see people
 at events such as Comic Con or midnight
 movie premieres, wearing t-shirts proclaiming
 You just lost The Game!" Once they were
 noticed, groans and shouts of "Fuck you!"
 could be heard for miles. These people
 rived on the chaos, taking great pleasure
 in the cries of their victims. Most people
 eventually grew bored of The Game, and
 many began to claim they won by choosing
 not to care about it anymore. Some rely on a
 particular XKCD comic strip or Tumblr post
 to lend a sense of legitimacy to their feeli
 of victory. They are fools. It is impossible to
 win The Game. There is only losing. Only a
 few diehards remain loyal to the rules. The
 drop in popularity has allowed many to keep
 m losing The Game for years at a time. The
 growth of social media has caused a minor
 resurgence, although without the satisfaction
 of real time auditory feedback when caus
 others to lose, The Game will likely fade back
 into obscurity once again. Someday whern
 we are old and gray, our grandchildren will
 innocently ask us to play a game of checkers,
 and we will shriek and shout until the whole
 nursing home joins us in defeat. Death is the
 only release from The Game
 Source: rainnecassidy #101
 #goshi remember this #but also
Is this loss?

Is this loss?

Anaconda, Ass, and Dude: Tweet 3h My point being that remasters are rip offs simple as that 2 3h Why? They're offering people the chance to play games that aren't available on modern consoles with modern graphics. Of course they're gonna CHARGE MONEY for a copy of a game, even if that game isn't a new one. 2 3h By your logic, the Mega Man Legacy Collection is a ripoff because l could buy an NES and play Mega Man 1-6 on the old hardware. 1) l'm not paying out the ass for a retro console that works and specific, sometimes rare games 2) l'd rather play them on my PC Tweet your reply Tweet Depends Where you're from a NES will cost me £10 the games at £3 still cheaper than a remaster. Just putting my view out there that remasters are rip offs Replying and others Where the fuck are you getting a fully functional NES and a copy of Mega Man 2 for £10?! The average price for a working NES is anywhere between £20-100 depending on how well it works 5:20 pm 21 Nov 18 View Tweet activity Tweet your reply Tweet View Tweet activity 8m eplying to and 4 others Also, I got both Legacy For £20. 10 games over 4 consoles. Let's say that it's £10 per console (even though that's an insanely good price for any working console) and £3 per game (you bought it from people who have no idea how much MM8 is worth) [1/2] 3m (10x4)+(3x10) 70 You'd literally be buying 3 and a half Legacy Collections to "avoid getting scammed", even when lowballing the games' prices as much as you are. Tweet your reply "Remasters and Collections are Scams! It's Cheaper to Get the Originals!" (I'm Purple)
Anaconda, Ass, and Dude: Tweet
 3h
 My point being that remasters are rip
 offs simple as that
 2
 3h
 Why? They're offering people the chance
 to play games that aren't available on
 modern consoles with modern graphics.
 Of course they're gonna CHARGE
 MONEY for a copy of a game, even if
 that game isn't a new one.
 2
 3h
 By your logic, the Mega Man Legacy
 Collection is a ripoff because l could buy
 an NES and play Mega Man 1-6 on the
 old hardware.
 1) l'm not paying out the ass for a retro
 console that works and specific,
 sometimes rare games
 2) l'd rather play them on my PC
 Tweet your reply

 Tweet
 Depends Where you're from a NES will
 cost me £10 the games at £3 still
 cheaper than a remaster. Just putting
 my view out there that remasters are rip
 offs
 Replying
 and
 others
 Where the fuck are you getting a
 fully functional NES and a copy
 of Mega Man 2 for £10?! The
 average price for a working NES
 is anywhere between £20-100
 depending on how well it works
 5:20 pm 21 Nov 18
 View Tweet activity
 Tweet your reply

 Tweet
 View Tweet activity
 8m
 eplying to
 and 4 others
 Also, I got both Legacy For £20. 10
 games over 4 consoles. Let's say that
 it's £10 per console (even though that's
 an insanely good price for any working
 console) and £3 per game (you bought it
 from people who have no idea how
 much MM8 is worth) [1/2]
 3m
 (10x4)+(3x10) 70
 You'd literally be buying 3 and a half
 Legacy Collections to "avoid getting
 scammed", even when lowballing the
 games' prices as much as you are.
 Tweet your reply
"Remasters and Collections are Scams! It's Cheaper to Get the Originals!" (I'm Purple)

"Remasters and Collections are Scams! It's Cheaper to Get the Originals!" (I'm Purple)

Bad, Bitch, and Curving: AREERS WITH STEM Code STreers Wlth Game-changing jobs Or tomorrow Combining-traditional cultural values with digital technologies p26 JUMP INTO Don't know what to do? Our has ogoga oui qwiz haTODAY'S all the answers p2o City vs Regional 7 very different paths to a coding career p14 COOLEST TECH JOBS eerswithSTEM.com Artificial intelligencel (Creativityl [Cybersecurity) (Start-ups! (Culturel Google MARU NIHONIHO LISY KANIE GAMERS ELISSA HARRIS A FUN, INTERACTIVE EXHIBITION RECOGNISES THE GROUNDBREAKING WORK BY WOMEN IN THE GAMES INDUSTRY e days of gaming being a boys-only zone are well and truly over. Nearly half of all gamers are women and, according to the Australian Bureau of Statistics, the number of women working in the industry rose from 8.7% in 2011-12 to 15% in 2015-16. But there is still a long way to go, and incidents like Gamergate-where female gamers and developers in the US were harassed and threatened for speaking out against sexism-give the industry a bad reputation. An exhibition at the Australian Centre for the Moving Image (ACMI) called Code Breakers: Women in Games aims to change that. Ten female programmers, producers, designers and directors from Australia and New Zealand are featured, and visitors can play their games, which range from big studio releases like Little Big Planet and Tricky Towers through to more experimental titles. As programmer Elissa Harris says in the exhibition, "One of the most important things for a child growing up is seeing people who look like them doing the things they want to be doing. More diversity behind the scenes also leads to more diversity in the games themselves. Protagonists in games used to be mainly men-now there is more variety, in culture and race, as well as gender. For example, Maru Nihoniho's Metio Interactive produces games with Mäori characters, and players can choose to play in English or Te Reo Mãori. And the good news is, Australia is ahead of the curve when it comes to being inclusive. Lisy Kane was the first female hire at League of Geeks in 2014 now the team is 35% women. "The video game industry has definitely identified the gender mbalance problem," she says. "They've accepted it and taken it on board and want to improve it." Code Breakers is at ACMI until November 5. Play the games online at acmi.net.au.-Chloe Walker Careers with Cade 29 Code CODE BITCH
Bad, Bitch, and Curving: AREERS WITH STEM
 Code
 STreers Wlth
 Game-changing jobs
 Or tomorrow
 Combining-traditional
 cultural values with
 digital technologies p26
 JUMP INTO
 Don't know what
 to do? Our has
 ogoga oui qwiz haTODAY'S
 all the answers p2o
 City vs Regional
 7 very different paths
 to a coding career p14
 COOLEST
 TECH JOBS
 eerswithSTEM.com
 Artificial intelligencel (Creativityl [Cybersecurity) (Start-ups! (Culturel Google

 MARU NIHONIHO
 LISY KANIE
 GAMERS
 ELISSA HARRIS
 A FUN, INTERACTIVE EXHIBITION
 RECOGNISES THE GROUNDBREAKING WORK
 BY WOMEN IN THE GAMES INDUSTRY
 e days of gaming being a boys-only zone are
 well and truly over. Nearly half of all gamers are
 women and, according to the Australian Bureau of
 Statistics, the number of women working in the
 industry rose from 8.7% in 2011-12 to 15% in
 2015-16. But there is still a long way to go, and
 incidents like Gamergate-where female gamers
 and developers in the US were harassed and
 threatened for speaking out against sexism-give
 the industry a bad reputation.
 An exhibition at the Australian Centre for the
 Moving Image (ACMI) called Code Breakers: Women
 in Games aims to change that. Ten female
 programmers, producers, designers and directors
 from Australia and New Zealand are featured, and
 visitors can play their games, which range from big
 studio releases like Little Big Planet and Tricky
 Towers through to more experimental titles.
 As programmer Elissa Harris says in the
 exhibition, "One of the most important things for
 a child growing up is seeing people who look like
 them doing the things they want to be doing.
 More diversity behind the scenes also leads to more
 diversity in the games themselves. Protagonists in
 games used to be mainly men-now there is more
 variety, in culture and race, as well as gender. For
 example, Maru Nihoniho's Metio Interactive produces
 games with Mäori characters, and players can choose
 to play in English or Te Reo Mãori.
 And the good news is, Australia is ahead of the
 curve when it comes to being inclusive. Lisy Kane
 was the first female hire at League of Geeks in 2014
 now the team is 35% women. "The video game
 industry has definitely identified the gender
 mbalance problem," she says. "They've accepted it
 and taken it on board and want to improve it."
 Code Breakers is at ACMI until November 5. Play
 the games online at acmi.net.au.-Chloe Walker
 Careers with Cade
 29

 Code
CODE BITCH

CODE BITCH