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God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak just to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not...

Gif, God, and Monster: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man.  Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!
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ebonyheartnet:
jewishdragon:

feministscoundrel:

This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 


Wiatiti And Portman are also BOTH jewish! Jews lifting up Jews!

ebonyheartnet: jewishdragon: feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shu...

God, Monster, and Movies: INTERNATIONAL INTERNATIONAL SAN DIEGO AN DIE ECON CONCON CON INTERNA INTER INTERNATIONAL 1N DIEG0 OIEGO SAN DIEGO CON OUG NO CON DIEGO CON INTERNATIONAL ONAL INTERNATIONAL IN E WATIONAL TERNATIONA SAN DIEGO CON SAN OIEG0 0 93 eONCON CO SAN OIEG N OIEG CO INTERNATIO COMICE CO OM feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was.  When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical:  When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x) Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor.  “We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x) Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior.  What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman.  Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man.  So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder?  He makes her Thor.  Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words.  What a photo. What a film. What a man. 
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feministscoundrel:
This photo means a lot to me. And I’ll tell you why. 
Natalie Portman, as we know, was shut out of Marvel. She chose not to sign any new contract not just because of the way her character was treated (though there is that) but because Thor: The Dark World was slated to be the first Marvel movie directed by a woman, her friend (and eventual Wonder Woman director) Patty Jenkins. Portman hadn’t planned on being in The Dark World, but lept at the chance to be a part of feminist history and to be directed in what would have beenJenkin’s first film since her 2003 Oscar-winning Monster. Portman signed a new contract with Marvel. They fired Jenkins soon after. Portman was crushed because she essentially had been duped into a contract for a film that would keep her away from her young son and force her back into a one-dimensional role under yet another male director. And we all remember how awful that movie was. 
When it came time for the third Thor movie, they tried to get Portman under contract again. And she said no. Marvel decided to spin the story to make it seem like it was all their idea. At first, they went for the lame and nonsensical: 
When Marvel Studios President Kevin Feige was asked about why she wouldn’t be in the third film, and said there were “many reasons, many of which are in the film, so you will see that” continuing with “There are only a couple of scenes on Earth in this movie. The majority, 95 percent of the movie, takes place in the cosmos.” (x)
Seeing as The Dark World also took place in space, this answer didn’t have a lot of credibility. When Portman said she was “done” with the Marvel Universe, Feige got vicious in interviews, telling reporters that Valkyrie was in Ragnorak to be better than Jane Foster and a better match for Thor. 
“We wanted Thor to encounter somebody that was near his equal and that his relationship with Jane may have evolved in unexpected ways in between The Dark World and Ragnarok, and we wanted to pit him against a character who was much more his equal and in many ways his superior.” (x)
Feige implies that A) Valkyrie was in Ragnorak to be a romantic interest for Thor, B) Valkyrie is better and more powerful than Jane Foster, and C) Jane Foster was always Thor’s inferior. 
What’s ridiculous is that Ragnorak had a “sorry Jane dumped you” throwaway line to explain Portman’s absence. And instead of saying that Jane and Thor broke up in interviews, a line that does not spoil literally anything about the film, Feige chose to attack Jane’s strength and capability, which would have been a very special dig at Portman. 
Do you want to know what none of this sounds like? Taika Waititi’s opinion. Waititi is a master storyteller who does not sacrifice his feminist views for laughs. You can bet that Feige’s ridiculous slams on Portman and her character Jane– disguised as “promotion” for WAITITI’S FILM– would have troubled him immensely. This is a man with a Māori father, who had to use his mother’s maiden name– Cohen– for earlier work because an indigenous last name kept him away from opportunity. This man does NOT fuck around with entertainment that gets its power off of sexism and inequality. He knows from experience just how infuriating it is when it comes to directors missing out on opportunities because they aren’t a white man. 
So how does he fix this? How does he fix the idea that Jane Foster can’t go to space, or that she’s not powerful enough for Thor, the god of thunder? 
He makes her Thor. 
Waititi saw Portman / Jane Foster’s name dragged through the mud by Kevin Feige in order to promote his movie, and when he got hired to direct again, he decided to right those wrongs. This picture means everything. He is on his knee, handing her Thor’s hammer, essentially saying, you will never have to go through that shit with me. With me, you’re a god. And the expression on her face, after Marvel attempted to break her, doesn’t need words. 
What a photo. What a film. What a man. 

feministscoundrel: This photo means a lot to me. And I’ll tell you why.  Natalie Portman, as we know, was shut out of Marvel. She chose not ...

Bubba, Clock, and Crying: writing-prompt-s You're in charge of assigning every child on Earth the monster under their bed One child in particular has caused every monster assigned to him/her to quit. You decide to assign yourself. kittenwiskers Case: #273402 Status: Disastrous I stare at the file and realize I have no options, over the last 2 years every monster assigned to Charlotte Dower has quit, every last one. Her first monster; a giant goldfish-faced humanoid named Bubba, had been with her for four years and then she wasn't scared of him anymore. After that it was a string of different common, uncommon, and rare monsters... I even assigned a sentient sock monster to her. He came back crying I look on my tablet, only one assignable monster left; myself. Field work has never been my cup of tea, but desperate times call for desperate measures. So at 8:03 pm, after Mrs. Gideon tucks in Charlotte and her little brother Daniel; I slither into the space beneath Charlotte's bed Across the room underneath Daniel's crib is a rookie, Chico, a standard Creep kind of monster. I turn my attention to the bed above me, Charlotte is still awake but barely, reach up over the bed and run an ice cold finger over her cheek, silence, so I do it again "I'm not afraid of you monster!" She whispers, but her voice is shaking. I can see a small clock on the wall 8:14, a door somewhere in the house slams and there is an audible hitch of breath from above me. A few minutes go by I can hear Francis Gideon yelling at his wife. There are heavy footsteps on the stairs, and loud panting breaths, Charlotte scrambles off the bed and.. She. CRAWLS. Under. The. Bed. With Me. "Move. Over!" Charlotte hisses at me. I The door to the bedroom slams open and I smell the stench of human intoxicants before the man even steps inside. I know why Charlotte isn't afraid of any of my monsters; she's afraid of her own. Francis reaches a hand under the bed and I thrust my wrist into it, he starts to pull, I slither out. "What the... I cut Francis's next words off by unfolding to my full 12 foot height. Looming over the drunken man I caress my cold fingers down his face. "If you ever touch, scare, or harm my child again, I will find you, and I will do the same to you, for all eternity." I promise to him As Francis runs from the room he soils himself. I pull Charlotte from under the bed, tuck her back under her covers and kiss her forehead goodnight. "l'll be back tomorrow night, sleep well darling." Charlotte Dower is my child, I am the monster under her bed funny.C awesomacious: A greatly written story
Bubba, Clock, and Crying: writing-prompt-s
 You're in charge of assigning every child
 on Earth the monster under their bed
 One child in particular has caused every
 monster assigned to him/her to quit. You
 decide to assign yourself.
 kittenwiskers
 Case: #273402
 Status: Disastrous
 I stare at the file and realize I have no
 options, over the last 2 years every
 monster assigned to Charlotte Dower has
 quit, every last one. Her first monster; a
 giant goldfish-faced humanoid named
 Bubba, had been with her for four years
 and then she wasn't scared of him
 anymore. After that it was a string of
 different common, uncommon, and rare
 monsters... I even assigned a sentient
 sock monster to her. He came back
 crying
 I look on my tablet, only one assignable
 monster left; myself. Field work has never
 been my cup of tea, but desperate times
 call for desperate measures. So at 8:03
 pm, after Mrs. Gideon tucks in Charlotte
 and her little brother Daniel; I slither into
 the space beneath Charlotte's bed
 Across the room underneath Daniel's crib
 is a rookie, Chico, a standard Creep kind
 of monster.
 I turn my attention to the bed above me,
 Charlotte is still awake but barely, reach
 up over the bed and run an ice cold
 finger over her cheek, silence, so I do it
 again
 "I'm not afraid of you monster!" She
 whispers, but her voice is shaking. I can
 see a small clock on the wall 8:14, a door
 somewhere in the house slams and there
 is an audible hitch of breath from above
 me. A few minutes go by I can hear
 Francis Gideon yelling at his wife. There
 are heavy footsteps on the stairs, and
 loud panting breaths, Charlotte
 scrambles off the bed and..
 She. CRAWLS. Under. The. Bed. With
 Me.
 "Move. Over!" Charlotte hisses at me. I
 The door to the bedroom slams open and
 I smell the stench of human intoxicants
 before the man even steps inside.
 I know why Charlotte isn't afraid of any of
 my monsters; she's afraid of her own.
 Francis reaches a hand under the bed
 and I thrust my wrist into it, he starts to
 pull, I slither out.
 "What the... I cut Francis's next words
 off by unfolding to my full 12 foot height.
 Looming over the drunken man I caress
 my cold fingers down his face.
 "If you ever touch, scare, or harm my
 child again, I will find you, and I will do
 the same to you, for all eternity." I
 promise to him
 As Francis runs from the room he soils
 himself.
 I pull Charlotte from under the bed, tuck
 her back under her covers and kiss her
 forehead goodnight. "l'll be back
 tomorrow night, sleep well darling."
 Charlotte Dower is my child, I am the
 monster under her bed
 funny.C
awesomacious:

A greatly written story

awesomacious: A greatly written story

Bubba, Clock, and Crying: writing-prompt-s You're in charge of assigning every child on Earth the monster under their bed One child in particular has caused every monster assigned to him/her to quit. You decide to assign yourself. kittenwiskers Case: #273402 Status: Disastrous I stare at the file and realize I have no options, over the last 2 years every monster assigned to Charlotte Dower has quit, every last one. Her first monster; a giant goldfish-faced humanoid named Bubba, had been with her for four years and then she wasn't scared of him anymore. After that it was a string of different common, uncommon, and rare monsters... I even assigned a sentient sock monster to her. He came back crying I look on my tablet, only one assignable monster left; myself. Field work has never been my cup of tea, but desperate times call for desperate measures. So at 8:03 pm, after Mrs. Gideon tucks in Charlotte and her little brother Daniel; I slither into the space beneath Charlotte's bed Across the room underneath Daniel's crib is a rookie, Chico, a standard Creep kind of monster. I turn my attention to the bed above me, Charlotte is still awake but barely, reach up over the bed and run an ice cold finger over her cheek, silence, so I do it again "I'm not afraid of you monster!" She whispers, but her voice is shaking. I can see a small clock on the wall 8:14, a door somewhere in the house slams and there is an audible hitch of breath from above me. A few minutes go by I can hear Francis Gideon yelling at his wife. There are heavy footsteps on the stairs, and loud panting breaths, Charlotte scrambles off the bed and.. She. CRAWLS. Under. The. Bed. With Me. "Move. Over!" Charlotte hisses at me. I The door to the bedroom slams open and I smell the stench of human intoxicants before the man even steps inside. I know why Charlotte isn't afraid of any of my monsters; she's afraid of her own. Francis reaches a hand under the bed and I thrust my wrist into it, he starts to pull, I slither out. "What the... I cut Francis's next words off by unfolding to my full 12 foot height. Looming over the drunken man I caress my cold fingers down his face. "If you ever touch, scare, or harm my child again, I will find you, and I will do the same to you, for all eternity." I promise to him As Francis runs from the room he soils himself. I pull Charlotte from under the bed, tuck her back under her covers and kiss her forehead goodnight. "l'll be back tomorrow night, sleep well darling." Charlotte Dower is my child, I am the monster under her bed funny.C awesomacious: A greatly written story
Bubba, Clock, and Crying: writing-prompt-s
 You're in charge of assigning every child
 on Earth the monster under their bed
 One child in particular has caused every
 monster assigned to him/her to quit. You
 decide to assign yourself.
 kittenwiskers
 Case: #273402
 Status: Disastrous
 I stare at the file and realize I have no
 options, over the last 2 years every
 monster assigned to Charlotte Dower has
 quit, every last one. Her first monster; a
 giant goldfish-faced humanoid named
 Bubba, had been with her for four years
 and then she wasn't scared of him
 anymore. After that it was a string of
 different common, uncommon, and rare
 monsters... I even assigned a sentient
 sock monster to her. He came back
 crying
 I look on my tablet, only one assignable
 monster left; myself. Field work has never
 been my cup of tea, but desperate times
 call for desperate measures. So at 8:03
 pm, after Mrs. Gideon tucks in Charlotte
 and her little brother Daniel; I slither into
 the space beneath Charlotte's bed
 Across the room underneath Daniel's crib
 is a rookie, Chico, a standard Creep kind
 of monster.
 I turn my attention to the bed above me,
 Charlotte is still awake but barely, reach
 up over the bed and run an ice cold
 finger over her cheek, silence, so I do it
 again
 "I'm not afraid of you monster!" She
 whispers, but her voice is shaking. I can
 see a small clock on the wall 8:14, a door
 somewhere in the house slams and there
 is an audible hitch of breath from above
 me. A few minutes go by I can hear
 Francis Gideon yelling at his wife. There
 are heavy footsteps on the stairs, and
 loud panting breaths, Charlotte
 scrambles off the bed and..
 She. CRAWLS. Under. The. Bed. With
 Me.
 "Move. Over!" Charlotte hisses at me. I
 The door to the bedroom slams open and
 I smell the stench of human intoxicants
 before the man even steps inside.
 I know why Charlotte isn't afraid of any of
 my monsters; she's afraid of her own.
 Francis reaches a hand under the bed
 and I thrust my wrist into it, he starts to
 pull, I slither out.
 "What the... I cut Francis's next words
 off by unfolding to my full 12 foot height.
 Looming over the drunken man I caress
 my cold fingers down his face.
 "If you ever touch, scare, or harm my
 child again, I will find you, and I will do
 the same to you, for all eternity." I
 promise to him
 As Francis runs from the room he soils
 himself.
 I pull Charlotte from under the bed, tuck
 her back under her covers and kiss her
 forehead goodnight. "l'll be back
 tomorrow night, sleep well darling."
 Charlotte Dower is my child, I am the
 monster under her bed
 funny.C
awesomacious:

A greatly written story

awesomacious: A greatly written story

Bubba, Clock, and Crying: writing-prompt-s You're in charge of assigning every child on Earth the monster under their bed One child in particular has caused every monster assigned to him/her to quit. You decide to assign yourself. kittenwiskers Case: #273402 Status: Disastrous I stare at the file and realize I have no options, over the last 2 years every monster assigned to Charlotte Dower has quit, every last one. Her first monster; a giant goldfish-faced humanoid named Bubba, had been with her for four years and then she wasn't scared of him anymore. After that it was a string of different common, uncommon, and rare monsters... I even assigned a sentient sock monster to her. He came back crying I look on my tablet, only one assignable monster left; myself. Field work has never been my cup of tea, but desperate times call for desperate measures. So at 8:03 pm, after Mrs. Gideon tucks in Charlotte and her little brother Daniel; I slither into the space beneath Charlotte's bed Across the room underneath Daniel's crib is a rookie, Chico, a standard Creep kind of monster. I turn my attention to the bed above me, Charlotte is still awake but barely, reach up over the bed and run an ice cold finger over her cheek, silence, so I do it again "I'm not afraid of you monster!" She whispers, but her voice is shaking. I can see a small clock on the wall 8:14, a door somewhere in the house slams and there is an audible hitch of breath from above me. A few minutes go by I can hear Francis Gideon yelling at his wife. There are heavy footsteps on the stairs, and loud panting breaths, Charlotte scrambles off the bed and.. She. CRAWLS. Under. The. Bed. With Me. "Move. Over!" Charlotte hisses at me. I The door to the bedroom slams open and I smell the stench of human intoxicants before the man even steps inside. I know why Charlotte isn't afraid of any of my monsters; she's afraid of her own. Francis reaches a hand under the bed and I thrust my wrist into it, he starts to pull, I slither out. "What the... I cut Francis's next words off by unfolding to my full 12 foot height. Looming over the drunken man I caress my cold fingers down his face. "If you ever touch, scare, or harm my child again, I will find you, and I will do the same to you, for all eternity." I promise to him As Francis runs from the room he soils himself. I pull Charlotte from under the bed, tuck her back under her covers and kiss her forehead goodnight. "l'll be back tomorrow night, sleep well darling." Charlotte Dower is my child, I am the monster under her bed funny.C A greatly written story
Bubba, Clock, and Crying: writing-prompt-s
 You're in charge of assigning every child
 on Earth the monster under their bed
 One child in particular has caused every
 monster assigned to him/her to quit. You
 decide to assign yourself.
 kittenwiskers
 Case: #273402
 Status: Disastrous
 I stare at the file and realize I have no
 options, over the last 2 years every
 monster assigned to Charlotte Dower has
 quit, every last one. Her first monster; a
 giant goldfish-faced humanoid named
 Bubba, had been with her for four years
 and then she wasn't scared of him
 anymore. After that it was a string of
 different common, uncommon, and rare
 monsters... I even assigned a sentient
 sock monster to her. He came back
 crying
 I look on my tablet, only one assignable
 monster left; myself. Field work has never
 been my cup of tea, but desperate times
 call for desperate measures. So at 8:03
 pm, after Mrs. Gideon tucks in Charlotte
 and her little brother Daniel; I slither into
 the space beneath Charlotte's bed
 Across the room underneath Daniel's crib
 is a rookie, Chico, a standard Creep kind
 of monster.
 I turn my attention to the bed above me,
 Charlotte is still awake but barely, reach
 up over the bed and run an ice cold
 finger over her cheek, silence, so I do it
 again
 "I'm not afraid of you monster!" She
 whispers, but her voice is shaking. I can
 see a small clock on the wall 8:14, a door
 somewhere in the house slams and there
 is an audible hitch of breath from above
 me. A few minutes go by I can hear
 Francis Gideon yelling at his wife. There
 are heavy footsteps on the stairs, and
 loud panting breaths, Charlotte
 scrambles off the bed and..
 She. CRAWLS. Under. The. Bed. With
 Me.
 "Move. Over!" Charlotte hisses at me. I
 The door to the bedroom slams open and
 I smell the stench of human intoxicants
 before the man even steps inside.
 I know why Charlotte isn't afraid of any of
 my monsters; she's afraid of her own.
 Francis reaches a hand under the bed
 and I thrust my wrist into it, he starts to
 pull, I slither out.
 "What the... I cut Francis's next words
 off by unfolding to my full 12 foot height.
 Looming over the drunken man I caress
 my cold fingers down his face.
 "If you ever touch, scare, or harm my
 child again, I will find you, and I will do
 the same to you, for all eternity." I
 promise to him
 As Francis runs from the room he soils
 himself.
 I pull Charlotte from under the bed, tuck
 her back under her covers and kiss her
 forehead goodnight. "l'll be back
 tomorrow night, sleep well darling."
 Charlotte Dower is my child, I am the
 monster under her bed
 funny.C
A greatly written story

A greatly written story

Dude, Fucking, and Gif: WillYouPressTheButton?.com I will not! You can shapeshift intout People will always know it's you any form you choose spaztomato13: wanderingwolfsbane: snippyschnapps: haiku-robot: rispahanguis: christiandevil7: nepetaloveme: tyfye49: kasaithederp: therapist-anon: cc-the-pathetic-nobody: chris-drawing-shack: weezy-pup: symmetrical-twin: perpetualcombustioninstruction: revereche: bogleech: elvenrainbow: shitsuren-chama: ocean-child-love: kaibas-paragraphical-mind: what-is-a-homestuck: WHAT IS THE FUCKING POINT YOU COULD BE A FUCKING BADASS DRAGON THAT’S THE POINT “I AM A CREATURE OF DARKNESS” “oh hey sabrina.” I guess the point is that you could shapeshift into the body you always thought you’d grow into when you were a kid taller, shorter, slimmer, more muscular, purple hair, tattoos everywhere, tattoos nowhere,  every single shoe would fit you every single time you tried it on, every single article of clothing would fit your perfectly, all you have to do is transform slightly, you’d never run out of ‘your size’ again and you wouldn’t have to work for it at all, and you’d never be limitted by your bone structure or something. You could just transform at will. I don’t see how this is much of a downside When you turn into a sixty story tentacle demon and terrorize a city you want to get the credit you deserve Oh man that would be so sweet. I could be an annoying fuck as an insect or something but you couldn’t kill me because everyone would know That’s great but have you considered ~cosplay ~Halloween costumes ~acting ~cosplay ~stretching to reach stuff and shrinking to fit through spaces ~cosplay ~cosplay ~COSPLAY Dude this would literally be a trangender or genderfluid’s dream. PUSH DA BUTTON I’ll be able to be a cat my whole life! Yas! you could be a fucking furry, enough said. YOU WOULD NEVER HAVE TO PAY FOR TRANSPORTATION EITHER WANNA GO TO ANOTHER COUNTRY? BECOME AN ALBATROSS THEY FLY LONG DISTANCES ALL THE TIME OR HELL JUST BECOME A FUCKING DOLPHIN IF ITS ANOTHER CONTINENT Become a god. Just, become a god. Enough said. Snake, dragon, cat, lion, tiger, etc. *slams button* I could finally look in the mirror without gagging! :: presses button :: i could finally look in the mirror without gagging :: presses button ^Haiku^bot^7. I detect haikus with 5-7-5 format. Sometimes I make mistakes. | Welcome @image-transcribing-bot | Contact | HAIKU BOT NO | Good bot! | Meep morp! Zeet! Time to abuse THIS power This is always my go to answer when someone asks me about super powers. At least, the shapeshifting part anyway *SMASHES BUTTON* BEEEEEF
Dude, Fucking, and Gif: WillYouPressTheButton?.com
 I will not!
 You can shapeshift intout
 People will always know
 it's you
 any form you choose
spaztomato13:
wanderingwolfsbane:

snippyschnapps:


haiku-robot:


rispahanguis:

christiandevil7:

nepetaloveme:

tyfye49:

kasaithederp:

therapist-anon:


cc-the-pathetic-nobody:

chris-drawing-shack:

weezy-pup:

symmetrical-twin:

perpetualcombustioninstruction:

revereche:

bogleech:

elvenrainbow:

shitsuren-chama:

ocean-child-love:

kaibas-paragraphical-mind:

what-is-a-homestuck:

WHAT IS THE FUCKING POINT

YOU COULD BE A FUCKING BADASS DRAGON THAT’S THE POINT

“I AM A CREATURE OF DARKNESS” “oh hey sabrina.”

I guess the point is that you could shapeshift into the body you always thought you’d grow into when you were a kid
taller, shorter, slimmer, more muscular, purple hair, tattoos everywhere, tattoos nowhere, 
every single shoe would fit you every single time you tried it on, every single article of clothing would fit your perfectly, all you have to do is transform slightly, you’d never run out of ‘your size’ again
and you wouldn’t have to work for it at all, and you’d never be limitted by your bone structure or something. You could just transform at will.



I don’t see how this is much of a downside
When you turn into a sixty story tentacle demon and terrorize a city you want to get the credit you deserve

Oh man that would be so sweet. I could be an annoying fuck as an insect or something but you couldn’t kill me because everyone would know

That’s great but have you considered
~cosplay
~Halloween costumes
~acting
~cosplay
~stretching to reach stuff and shrinking to fit through spaces
~cosplay
~cosplay
~COSPLAY




Dude this would literally be a trangender or genderfluid’s dream. 

PUSH DA BUTTON

I’ll be able to be a cat my whole life! Yas!

you could be a fucking furry, enough said.


YOU WOULD NEVER HAVE TO PAY FOR TRANSPORTATION EITHER
WANNA GO TO ANOTHER COUNTRY? BECOME AN ALBATROSS THEY FLY LONG DISTANCES ALL THE TIME OR HELL JUST BECOME A FUCKING DOLPHIN IF ITS ANOTHER CONTINENT

Become a god.
Just, become a god.
Enough said.


Snake, dragon, cat, lion, tiger, etc.

*slams button*


I could finally look in the mirror without gagging! :: presses button ::


i could finally look in the mirror without gagging :: presses button ^Haiku^bot^7. I detect haikus with 5-7-5 format. Sometimes I make mistakes. | Welcome @image-transcribing-bot | Contact | HAIKU BOT NO | Good bot! | Meep morp! Zeet!


Time to abuse THIS power


This is always my go to answer when someone asks me about super powers. At least, the shapeshifting part anyway 


*SMASHES BUTTON*


BEEEEEF

spaztomato13: wanderingwolfsbane: snippyschnapps: haiku-robot: rispahanguis: christiandevil7: nepetaloveme: tyfye49: kasaithederp: ...