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Anime, Period, and Samurai: Anra Follow @AnraNana Critically and commercially acclaimed director Shinichiro Watanabe on colorism in the Japanese anime industry and the importance of diversity and genuine care in creating art. Watanabe: The anime does deal with samurai, and tion to skin color," Watan in the back of my mind I was always woried it would multiple languages. Lots be seen as nationalistic. That is why I made one of the ave white skin- all the ch main characters someone from the Ryukyus, and put ever liked. I wanted to ha in the bit about a person training in China, and had le bit about it. The same foreign characters appear. If you watch the anime, it'sred in multiple languages, clear that it has nothing to do with it. It is not an an ed. ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. dif people weren't used to Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have 10:28 PM - 18 Jun 2019 15,092 Retweets 35,120 Likes Q: This may be a little off-topic, but what do you think of nationalism? Watanabe: The anime does deal with samurai, and in the back of my mind I was always worried it would be seen as nationalistic. That is why I made one of the main characters someone from the Ryukyus, and put in the bit about a person training in China, and had foreign characters appear. If you watch the anime, it's clear that it has nothing to do with it. It is not an an- ime designed to "protect Japan's unique traditions and culture." National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent. But then you get into a conversation about the Jomon and Yayoi peoples. Q: How would you explain that? Watanabe: There are many theories about who the original Japanese were, but it's pretty clear that we were not all one ethnic group but a mix of various ones. First we had the Jomon. Most of them were hunters and gatherers. Once you enter the Yayoi Period you have lots of people coming here from the continent and bringing agriculture with them. When the imperial sys- "I paid a lot of attention to skin color," Watanabe said in The Jazz Messengers. "Also to using multiple languages. Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked. I wanted to have lots of characters in Bebop without the white skin, and if people weren't used to that, well, maybe it would even make them think a little bit about it. The same was true for languages. I wanted to have lines muttered in multiple languages, but that would have been just too difficult," he laughed. gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT
Anime, Period, and Samurai: Anra
 Follow
 @AnraNana
 Critically and commercially acclaimed
 director Shinichiro Watanabe on
 colorism in the Japanese anime industry
 and the importance of diversity and
 genuine care in creating art.
 Watanabe: The anime does deal with samurai, and tion to skin color," Watan
 in the back of my mind I was always woried it would multiple languages. Lots
 be seen as nationalistic. That is why I made one of the ave white skin- all the ch
 main characters someone from the Ryukyus, and put ever liked. I wanted to ha
 in the bit about a person training in China, and had le bit about it. The same
 foreign characters appear. If you watch the anime, it'sred in multiple languages,
 clear that it has nothing to do with it. It is not an an ed.
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 dif people weren't used to
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 10:28 PM - 18 Jun 2019
 15,092 Retweets 35,120 Likes

 Q: This may be a little off-topic, but what do you
 think of nationalism?
 Watanabe: The anime does deal with samurai, and
 in the back of my mind I was always worried it would
 be seen as nationalistic. That is why I made one of the
 main characters someone from the Ryukyus, and put
 in the bit about a person training in China, and had
 foreign characters appear. If you watch the anime, it's
 clear that it has nothing to do with it. It is not an an-
 ime designed to "protect Japan's unique traditions and
 culture." National borders have always been arbitrarily
 drawn by people, and in ancient times there was a lot
 of exchange of people and culture with the continent.
 But then you get into a conversation about the Jomon
 and Yayoi peoples.
 Q: How would you explain that?
 Watanabe: There are many theories about who the
 original Japanese were, but it's pretty clear that we were
 not all one ethnic group but a mix of various ones. First
 we had the Jomon. Most of them were hunters and
 gatherers. Once you enter the Yayoi Period you have
 lots of people coming here from the continent and
 bringing agriculture with them. When the imperial sys-

 "I paid a lot of attention to skin color," Watanabe said in The Jazz
 Messengers. "Also to using multiple languages. Lots of times when you watch
 anime, the characters all have white skin - all the characters in fantasy stories all
 have white skin, which I never liked. I wanted to have lots of characters in Bebop
 without the white skin, and if people weren't used to that, well, maybe it would
 even make them think a little bit about it. The same was true for languages. I
 wanted to have lines muttered in multiple languages, but that would have been
 just too difficult," he laughed.
gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

gahdamnpunk:The critical thinking, the self awareness…Taste and talent JUMPED OUT

America, Deer, and Facebook: COMIC ACOMIC COMICE COMIC COMICE ECOMIC ECOMICE BCOMIC ECOMICE NCOMICE COMICERCOM COMICE ACOMICCOMIC COMICE COMICE ECOMICCOMICECOMICECO COMIC COMICE ACOMICE ECOMICE COMIC COMICE ICOMIC COMICE CON OMICE COMICCOMICCOMICECON GE COMICE CON IC COM COM OMICE wCOMICEC COMICE CON COMICE COMICECOMICE COMICE COMICE ECOMICECOMICE COMIC COM COMIC COMICCOMIC ECOMICECOMICE COMICCOMICCOMIC COM ECOMIC COMIC COMICE COMICE COMICE COMICECOMICE COMIC ECOM COMICE COMIC COMIC COMICE COMIC COMICE COMICEECOMICOOL cosplayinamerica: I was legitimately thrilled with the overall reception of my costume. I never could’ve imagined that it would make so many people so happy! But I exchanged so many hugs and daps and high fives, it was unreal. I had a lot of really great conversations with people that were just super excited to see some Native representation at the convention. So that part was really special for me, because that was a big part of my own personal inspiration to begin with.I originally brainstormed this costume in late 2015, but I really started rolling on production this last year, once I committed to this years SDCC… My main goal was to make a Native American variant of a fan-favorite character. I was immediately drawn to Captain America because of everything he symbolizes as basically the poster boy of a nation. To me it was the perfect parallel. And once I visualized the red and white bone breastplate on my abdomen, I knew this was something I had to see through.A lot of old school leather work with the awl! The majority of the armor was made from a base of 6mm EVA foam with 3 oz deer hide glued over it. The pieces were then stitched together with sinew or leather lace. Using this technique allowed me to form curves and build the necessary bulk of the armor pieces while also getting the suede textures I was looking for. And a whole lot of beading!—- https://www.instagram.com/hot.glue.burns/PHOTO: https://www.instagram.com/p/B0FQd_1AKhk/
America, Deer, and Facebook: COMIC ACOMIC COMICE
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cosplayinamerica:

I was legitimately thrilled with the overall reception of my costume. I never could’ve imagined that it would make so many people so happy! But I exchanged so many hugs and daps and high fives, it was unreal. I had a lot of really great conversations with people that were just super excited to see some Native representation at the convention. So that part was really special for me, because that was a big part of my own personal inspiration to begin with.I originally brainstormed this costume in late 2015, but I really started rolling on production this last year, once I committed to this years SDCC… My main goal was to make a Native American variant of a fan-favorite character. I was immediately drawn to Captain America because of everything he symbolizes as basically the poster boy of a nation. To me it was the perfect parallel. And once I visualized the red and white bone breastplate on my abdomen, I knew this was something I had to see through.A lot of old school leather work with the awl! The majority of the armor was made from a base of 6mm EVA foam with 3 oz deer hide glued over it. The pieces were then stitched together with sinew or leather lace. Using this technique allowed me to form curves and build the necessary bulk of the armor pieces while also getting the suede textures I was looking for. And a whole lot of beading!—- https://www.instagram.com/hot.glue.burns/PHOTO: https://www.instagram.com/p/B0FQd_1AKhk/

cosplayinamerica: I was legitimately thrilled with the overall reception of my costume. I never could’ve imagined that it would make so man...