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Fucking, Funny, and Sherlock Holmes: IWONDER WHAT THE CODE IS. 3 5 4 # 4wincherlockedintardis even with those four numbers there are countless possible combinations good luck with figuring out which one is the right one you punk eatsleepcrap straightens calculator It's pretty likely that it's a four digit number, and as there are four digits chosen there, that means that there cannot be any repetition. This mean that there are: n!/(n-4)! possible orders. As 'n' is 4 (number of digits available). 41/0! which becomes 4x3x2x1/1 which simplifies to 24. That means that there are 24 possible combinations of codes. This would take you about two or three minutes to input all possible codes. syd224 Unless an alarm goes off if you don't get it right in 3 tries eatsleepcrap straightens calculator again Kick the fucking door in my-weeping-angel Deactivated well 'technically' the code is most likley 1970. statistically, a majority of people, when told to choose a 4 digit code will choose their birth year. and this key pad is obviously a few years old to put it nicely, thats most likley it everyonesfavoriteging some sherlock holmes shit just went down over here heroscafe BBC No, no, no. Don't base your deductions of psychology. Let's talk chemistry. When you first press a button, there's more of the natural oils on your skin, and therefore it wears down the numbers on the keys faster. Obviously 0 is the first one, then. Try 0791 first. Sherlock out. perks-of-being-chinese woah. trypophobic-canine it got better twistedthicket1 and this is why the sherlock fandom could either rule the world or end it.. badgerdash-cumberquat Those deductions are great and all, but unnecessary. The light is green. The door is already open. winchester-kelly And that's why we have a John Watson. STRANGEBEAVER.com C0 D 00 * 25 Sherlock Holmes Funny Quotes #Sherlock Holmes #Funny
Fucking, Funny, and Sherlock Holmes: IWONDER WHAT THE CODE IS.
 3
 5
 4
 #
 4wincherlockedintardis
 even with those four numbers there are countless possible combinations good
 luck with figuring out which one is the right one you punk
 eatsleepcrap
 straightens calculator
 It's pretty likely that it's a four digit number, and as there are four digits chosen
 there, that means that there cannot be any repetition. This mean that there are:
 n!/(n-4)! possible orders. As 'n' is 4 (number of digits available). 41/0! which
 becomes 4x3x2x1/1 which simplifies to 24. That means that there are 24
 possible combinations of codes. This would take you about two or three
 minutes to input all possible codes.
 syd224
 Unless an alarm goes off if you don't get it right in 3 tries
 eatsleepcrap
 straightens calculator again
 Kick the fucking door in
 my-weeping-angel Deactivated
 well 'technically' the code is most likley 1970. statistically, a majority of people,
 when told to choose a 4 digit code will choose their birth year. and this key pad
 is obviously a few years old to put it nicely, thats most likley it
 everyonesfavoriteging
 some sherlock holmes shit just went down over here
 heroscafe
 BBC
 No, no, no. Don't base your deductions of psychology. Let's talk chemistry.
 When you first press a button, there's more of the natural oils on your skin, and
 therefore it wears down the numbers on the keys faster. Obviously 0 is the first
 one, then. Try 0791 first.
 Sherlock out.
 perks-of-being-chinese
 woah.
 trypophobic-canine
 it got better
 twistedthicket1
 and this is why the sherlock fandom could either rule the world or end it..
 badgerdash-cumberquat
 Those deductions are great and all, but unnecessary.
 The light is green.
 The door is already open.
 winchester-kelly
 And that's why we have a John Watson.
 STRANGEBEAVER.com
 C0 D
 00
 *
25 Sherlock Holmes Funny Quotes #Sherlock Holmes #Funny

25 Sherlock Holmes Funny Quotes #Sherlock Holmes #Funny

Apparently, Bad, and Comfortable: theladyzephyr: Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’t, and Hiding versus Being Seen. We’re introduced to the concept of Crowley wearing glasses even before we’re introduced to Crowley, by Hastur: “If you ask me he’s been up here too long. Gone native. Enjoying himself too much. Wearing sunglasses even when he doesn’t need them.” Honestly Crowley’s whole introduction is a fantastic; we learn so much about his character in a tiny amount of time. The fact that he’s late, the Queen playing as the Bentley approaches, the “Hi, guys” in response to Hastur and Ligur’s “Hail Satan”. I like this intro much better than the one originally scripted with the rats at the phone company, but I digress. Crowley wears sunglasses when he doesn’t need them. Specifically, he still wears them around the demons, and when he’s in hell. You know where Crowley doesn’t wear glasses? At home. We never once see him wearing glasses in his flat, except for when he knows Hastur and Ligur are coming. That’s an emotional kick to the gut for me. Here’s one of the only places Crowley’s comfortable enough to be sans glasses, and when he knows it’s going to be invaded he prepares not just physically with the holy water, but by putting up that emotional barrier in a place where he wasn’t supposed to need it. An argument could be made that Crowley actually never needs glasses. We’re shown that it’s well within the angels’ and demons’ powers to pass unnoticed by humans. Crowley and Aziraphale waltz out of the manor in the middle of a police raid, and going unnoticed by the police takes so little effort that they can keep up a conversation while they stroll through. Even an unimaginative demon like Hastur apparently doesn’t have trouble with the humans losing it over his demonic eyes. The humans in the scene at Megiddo are acting like “this guy is a little weird” and not “holy shit his entire eyeballs are black jelly” That means that Crowley’s glasses are a choice, just like Aziraphale’s softness. Sure, he could arrange matters so that nobody ever noticed his eyes, but he doesn’t want to. Crowley wants acceptance, and he wants to belong, and he’s never, ever had that. He didn’t fit in before the Fall in Heaven, he doesn’t fit in with the demons in Hell. With the glasses, and with the Bentley and his plants and with the barely-bad-enough-to-be-evil nuisance temptations, he’s choosing Earth. This is where he wants to fit in, perhaps not with the humans, but amongst them. Even after Crowley is at his absolute lowest, when he thinks Aziraphale’s dead and he’s on his way to drink until the world ends, he takes the time to put a new pair on when the old ones are damaged. He needs that emotional crutch right now, even with everything about to turn into a pile of puddling goo he’s not ready for the world to see his eyes. Which is why I swore out loud when Hastur forcibly takes them off. It’s about the worst thing that Hastur could have done. Rather than leading with a physical threat, his first act is to strip away Crowley’s emotional defences. It’s a great writing choice because god it made me hate Hastur, even more than all the physical violence we see him do. It’s also the moment that Crowley really truly gets his shit together, and focuses all of his considerable imagination on getting to Tadfield and Aziraphale to help save the world. He’s wielding the terrifyingly unimaginable power of someone who’s hit rock bottom and realised it literally could not get any worse than this. He doesn’t put another pair of glasses on after discorporating Hastur, and he spends the majority of the airbase sequence without them. He puts them back on again, I think, at the moment that he really lets himself hope. When he thinks ‘shit, there may be a real chance that we get through this to a future that I don’t want to lose’. The vulnerability is back, and he needs Adam to trust him. In Crowley’s mind being accepted by a human means he needs to have his eyes hidden. Someone give the demon a hug, please. Interestingly, there’s only one time in the whole series that we see Crowley willingly choose to take his glasses off around another person. Only one person he’ll take down that barrier for, and even then he’s drunk before he does it. Dear God/Satan/Someone that makes my heart ache. Crowley’s chosen Earth, but he’s also chosen Aziraphale. He’s been looking for somewhere to belong his entire existence, and it’s with the angel that he finally feels it. When the dust settles and the world is saved and they finally have space to be themselves unguarded, I like to imagine Crowley takes off the glasses when it’s just the two of them; the idea of being known doesn’t scare him quite so much anymore.  
Apparently, Bad, and Comfortable: theladyzephyr:

Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’t, and Hiding versus Being Seen.
We’re introduced to the concept of Crowley wearing glasses even before we’re introduced to Crowley, by Hastur: “If you ask me he’s been up here too long. Gone native. Enjoying himself too much. Wearing sunglasses even when he doesn’t need them.”
Honestly Crowley’s whole introduction is a fantastic; we learn so much about his character in a tiny amount of time. The fact that he’s late, the Queen playing as the Bentley approaches, the “Hi, guys” in response to Hastur and Ligur’s “Hail Satan”. I like this intro much better than the one originally scripted with the rats at the phone company, but I digress.
Crowley wears sunglasses when he doesn’t need them. Specifically, he still wears them around the demons, and when he’s in hell.
You know where Crowley doesn’t wear glasses? At home.
We never once see him wearing glasses in his flat, except for when he knows Hastur and Ligur are coming. That’s an emotional kick to the gut for me. Here’s one of the only places Crowley’s comfortable enough to be sans glasses, and when he knows it’s going to be invaded he prepares not just physically with the holy water, but by putting up that emotional barrier in a place where he wasn’t supposed to need it.
An argument could be made that Crowley actually never needs glasses. We’re shown that it’s well within the angels’ and demons’ powers to pass unnoticed by humans. Crowley and Aziraphale waltz out of the manor in the middle of a police raid, and going unnoticed by the police takes so little effort that they can keep up a conversation while they stroll through. Even an unimaginative demon like Hastur apparently doesn’t have trouble with the humans losing it over his demonic eyes. The humans in the scene at Megiddo are acting like “this guy is a little weird” and not “holy shit his entire eyeballs are black jelly”
That means that Crowley’s glasses are a choice, just like Aziraphale’s softness. Sure, he could arrange matters so that nobody ever noticed his eyes, but he doesn’t want to. Crowley wants acceptance, and he wants to belong, and he’s never, ever had that. He didn’t fit in before the Fall in Heaven, he doesn’t fit in with the demons in Hell. With the glasses, and with the Bentley and his plants and with the barely-bad-enough-to-be-evil nuisance temptations, he’s choosing Earth. This is where he wants to fit in, perhaps not with the humans, but amongst them.
Even after Crowley is at his absolute lowest, when he thinks Aziraphale’s dead and he’s on his way to drink until the world ends, he takes the time to put a new pair on when the old ones are damaged. He needs that emotional crutch right now, even with everything about to turn into a pile of puddling goo he’s not ready for the world to see his eyes.
Which is why I swore out loud when Hastur forcibly takes them off.
It’s about the worst thing that Hastur could have done. Rather than leading with a physical threat, his first act is to strip away Crowley’s emotional defences. It’s a great writing choice because god it made me hate Hastur, even more than all the physical violence we see him do.
It’s also the moment that Crowley really truly gets his shit together, and focuses all of his considerable imagination on getting to Tadfield and Aziraphale to help save the world. He’s wielding the terrifyingly unimaginable power of someone who’s hit rock bottom and realised it literally could not get any worse than this. He doesn’t put another pair of glasses on after discorporating Hastur, and he spends the majority of the airbase sequence without them.
He puts them back on again, I think, at the moment that he really lets himself hope. When he thinks ‘shit, there may be a real chance that we get through this to a future that I don’t want to lose’.
The vulnerability is back, and he needs Adam to trust him. In Crowley’s mind being accepted by a human means he needs to have his eyes hidden. Someone give the demon a hug, please.
Interestingly, there’s only one time in the whole series that we see Crowley willingly choose to take his glasses off around another person. Only one person he’ll take down that barrier for, and even then he’s drunk before he does it.
Dear God/Satan/Someone that makes my heart ache. Crowley’s chosen Earth, but he’s also chosen Aziraphale. He’s been looking for somewhere to belong his entire existence, and it’s with the angel that he finally feels it.
When the dust settles and the world is saved and they finally have space to be themselves unguarded, I like to imagine Crowley takes off the glasses when it’s just the two of them; the idea of being known doesn’t scare him quite so much anymore.  

theladyzephyr: Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’...

Love, Saw, and Sex: Brave jogger dubbed a hero after fighting off sex beast who was attempting to rape girl in Glasgow park 07 July 2014 0857 AM By Paul O'Hare ABDULL Oun was running in Kelvingrove Park when he heard the victim's screams and sprinted to the scene before knocking out the beast with a flying kick. urbanfantasyinspiration: supreme-leader-stoat: mylifeisafairy-tale: satansbitontheside: bathedinflames: nerdyandyouknowit: cheerfulmetaphysics: tsamthepoet: I hardly see any heroic posts about Muslims on here, so here you go. I love that it takes the time to specify that his attack of choice was a flying kick The hero the world needs I remember this. But I feel we’re missing some key points. When it happened, he was out jogging with his puppy: He heard screams and sprinted towards them. He jumped a fence, saw a man pinning a woman down and immediately fly-kicked him in the face, knocking him out. He then gave the woman his jacket because her dress was ripped and got her a taxi home. She only managed to get in contact with him and tell the papers cause she later found his driver’s license in the pocket of the jacket. “If I see a person in danger then I will intervene. I would not want to ignore it and then read the next day that a woman had been raped or murdered.” And his message to the attacker: “He is a coward and a man with no morals. I won’t forget his face.” Glaswegians will always fly kick someone I swear. Good on him. Something else I love about this is that they’re calling the rapist a “beast” because that is an appropriate word to use for someone who would do something that horrible instead of showing him any form of sympathy or humanizing him What a lad
Love, Saw, and Sex: Brave jogger dubbed a hero
 after fighting off sex beast
 who was attempting to rape
 girl in Glasgow park
 07 July 2014 0857 AM By Paul O'Hare
 ABDULL Oun was running in
 Kelvingrove Park when he heard the
 victim's screams and sprinted to the
 scene before knocking out the beast
 with a flying kick.
urbanfantasyinspiration:
supreme-leader-stoat:


mylifeisafairy-tale:

satansbitontheside:

bathedinflames:

nerdyandyouknowit:

cheerfulmetaphysics:

tsamthepoet:

I hardly see any heroic posts about Muslims on here, so here you go.

I love that it takes the time to specify that his attack of choice was a flying kick

The hero the world needs

I remember this. But I feel we’re missing some key points. When it happened, he was out jogging with his puppy:

He heard screams and sprinted towards them. He jumped a fence, saw a man pinning a woman down and immediately fly-kicked him in the face, knocking him out. He then gave the woman his jacket because her dress was ripped and got her a taxi home. She only managed to get in contact with him and tell the papers cause she later found his driver’s license in the pocket of the jacket.
“If I see a person in danger then I will intervene. I would not want to ignore it and then read the next day that a woman had been raped or murdered.”
And his message to the attacker:
“He is a coward and a man with no morals. I won’t forget his face.”

Glaswegians will always fly kick someone I swear. Good on him.


Something else I love about this is that they’re calling the rapist a “beast” because that is an appropriate word to use for someone who would do something that horrible instead of showing him any form of sympathy or humanizing him 



What a lad

urbanfantasyinspiration: supreme-leader-stoat: mylifeisafairy-tale: satansbitontheside: bathedinflames: nerdyandyouknowit: cheerfulmet...

Ass, Cinderella , and Click: kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice. The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific.  I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture. This scene in particular illustrates it especially well; particularly for being only like 1 minute long. Highlights/Breakdown The timing in the way Robin says savior and the way he says beast.  the character solidifying disregard and disrespect of “Please! Monster!” Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat Just the entire french accent that isn’t even a good french accent at all. The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background  Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss” shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit.  “what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures.  When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke Fiona interrupting robin with a kick. the fuckin sound his head makes when it hits the rock.  The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef* Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.
Ass, Cinderella , and Click: kaylapocalypse:
 ok 
so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you should. Like… if you’re anywhere near your mid-twenties, chances are that you watched shrek (1) when you were a kid and maybe a few times again in your late teens, but your memory absolutely doesn’t do it justice.
The comedic timing through this whole movie is insane. Also, the fact that the animation style is aging literally just adds to the hilarity instead of poorly dating it. The nuance of every gesture is so well done and specific. 
I am literally convinced that this movie is a masterpiece and that will be historically relevant maybe 100 years from now as a perfect time capsule of our culture.
This scene in particular illustrates it especially well; particularly for being only like 1 minute long.
Highlights/Breakdown
The timing in the way Robin says savior and the way he says beast. 
the character solidifying disregard and disrespect of “Please! Monster!”
Fiona’s sheer brute strength when she pokes him in the shoulder so hard it spins him around–strength that he disregards which is why hes surprised as hell when he gets his ass beat
Just the entire french accent that isn’t even a good french accent at all.
The accordion man in the tree, the prop bushes. that one of the prop bushes falls down to reveal that its a wood cut-out subtly in the background 
Shrek and fiona watching with horror as he begins his song. Donkey never cracking his excited smile, fully immersed in the Lore™; which is actually part of a longer running joke through the film which is that occasionally when certain characters do things would be reacted to poorly irl, the surrounding characters react like you would if you saw that irl not like characters in a story. Like instead of getting drawn into the lore of their circumstances they just stand there, staring like “yikesssss”
shrek’s exhaustion and impatience when the song goes into the “saucy little maid” bit. 
“what hes basically saying is he likes to get paid.”  the chaos of that statement. combined with shrek and fiona having a eye contact conversation above the performance, exchanging “wtf” gestures. 
When the song escalates into a dance fight, Shrek’s exhaustion turns into general mounting amusement like “wow is this really turning into a dance fight. wow hes really snapping in unison” which is additionally apart of the above long running joke
Fiona interrupting robin with a kick.
the fuckin sound his head makes when it hits the rock. 
The fight after isn’t as dynamic timing wise, just a classic animated fight scene but that song though. *kisses fingers like a chef*
Watching this does give me an appreciation for 2D animation though because say what you will but Cinderella has aged a lot better than Shrek in terms of visual quality.With 2D you get fairly consistent quality. With old 3D you get uncanny valley nightmares.

kaylapocalypse:  ok  so i know what you’re thinking “oh i remember that scene i don’t need to click on the video to recall it”. But you shou...