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hide: inquisitorhotpants: burntcopper: futureevilscientist: optimysticals: uovoc: konec0: sleepyferret: shitfacedanon: dat-soldier: sonnetscrewdriver: dat-soldier: did-you-kno: Source back the fuck up There’s another story that I like about a Chinese general who had to defend a city with only a handful of soldiers from a huge enemy horde that was in all likelihood going to steamroll the place flat within hours of showing up. So when said horde did arrive, they saw the general sitting outside the city’s open gates, drinking tea. The horde sent a couple of emissaries over to see what was what, and the general greeted them cheerfully and invited them all to come and take tea with him. The horde decided that this was a scenario that had “MASSIVE FUCKING TRAP” written all over it in beautiful calligraphy and promptly fucked off. Whoever that general was, he was clearly the Ancient Chinese equivalent of Sam Vimes. did he just invite us over for tea nah man i’m out This just keeps getting better I fucking love history. ok but tbh that story misses a lot of the subtlety of the situation like ok so this story is the Romance of Three Kingdoms, and essentially takes place between Zhuge Liang, resident tactician extraordinaire, and Sima Yi… OTHER resident tactician extraordinaire. The two were both regarded as tactical geniuses and recognized the other as their rival. Zhuge Liang had a reputation for ambushing the SHIT out of his opponents and using the environment to his advantage, thus destroying large armies with a small number of men. Sima Yi (who kind of entered the picture later) was a cautious person whose speciality was unravelling his opponent’s plans before they began. So it was natural that the two would butt heads; however, since Sima Yi tended to have more men and resources, he started winning battles against the former. Which, y’know, kinda sucked. On to the actual story: Zhuge Liang is all like “shit i gotta defend this city with like 10 men.” Literally if he fights ANY kind of battle here, he WILL lose; his only option for survival is not to fight. And that’s looking more and more impossible until he hears that his rival is leading the opposing army. And then he gets this brilliant idea. He basically opens all the gates, sends his men out in civilian clothes to sweep the streets, and sits on top of the gate drinking tea and chilling out and basically makes the whole thing out to be a trap When Sima Yi comes he’s all like “yo come on in bro” and Sima Yi is like “yeah he’s never been that obvious about his traps before. this is definitely a bluff” and he’s about to head in when he realizes wait. he knows that i think he’s bluffing. and so he gets it in his head that maybe, just MAYBE, Zhuge Liang has this cunning plan that will wipe out his army - recall that he has a pretty good handle on what his rival is capable of. And after a long period of deliberation (which is just like “he know that I know that he knows that etc.”), being the cautious man he is, SIma Yi eventually decides to turn his entire army around and leave. Zhuge Liang later points out that the plan was based specifically on the fact that he was facing his rival; if it had been anyone else, there’s no way it would have worked. A dumber or less cautious person would have simply charged in and won without breaking a sweat.  and that’s the real genius here: it was a plan formed entirely just to deceive one man, and it worked. Zhuge Liang is the most brilliant, sneaky-ass bastard in history. One time his side’s army was out of arrows, which pretty much meant they were screwed. So Zhuge Liang goes and does the logical thing, which is build a fuck ton of scarecrows and put them all on boats. Then he makes the men hide in the boats and sail them out on the river. Well, that day was super foggy (which Zhuge Liang had predicted. Did I mention he was also a freakishly accurate meteorologist?). So the enemy across the river sees a fleet of boats armed to the teeth with what appears to be half an army of men. They panic! and start firing arrows like crazy.  Zhuge Liang lets this play out for a while, then he’s like, ”Ok guys that’s enough.” They calmly turn the boats around and go back to base, where they dismantle the scarecrows and pull out all the enemy’s arrows. Zhuge Liang is legend. I love this post. It just keeps getting better. Like seriously, I would have adored learning about this in World History. If you want to see this in cinematic glory, watch Red Cliff. Especially since it makes Zhuge Liang look like this: Red Cliff is 50% bloody battles and 50% eye candy and about half of that eye-candy is due to Zhuge Liang I fully support watching Red Cliff; it’s gloriously silly entertainment during the battle scenes. Guess what just got moved to the top of my watch list?? :D
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futureevilscientist:

optimysticals:

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dat-soldier:

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dat-soldier:

did-you-kno:

Source


back the fuck up


There’s another story that I like about a Chinese general who had to defend a city with only a handful of soldiers from a huge enemy horde that was in all likelihood going to steamroll the place flat within hours of showing up.
So when said horde did arrive, they saw the general sitting outside the city’s open gates, drinking tea. The horde sent a couple of emissaries over to see what was what, and the general greeted them cheerfully and invited them all to come and take tea with him.
The horde decided that this was a scenario that had “MASSIVE FUCKING TRAP” written all over it in beautiful calligraphy and promptly fucked off.
Whoever that general was, he was clearly the Ancient Chinese equivalent of Sam Vimes.


did he just invite us over for tea nah man i’m out


This just keeps getting better

I fucking love history.

ok but tbh that story misses a lot of the subtlety of the situation like ok
so this story is the Romance of Three Kingdoms, and essentially takes place between Zhuge Liang, resident tactician extraordinaire, and Sima Yi… OTHER resident tactician extraordinaire.
The two were both regarded as tactical geniuses and recognized the other as their rival. Zhuge Liang had a reputation for ambushing the SHIT out of his opponents and using the environment to his advantage, thus destroying large armies with a small number of men. Sima Yi (who kind of entered the picture later) was a cautious person whose speciality was unravelling his opponent’s plans before they began. So it was natural that the two would butt heads; however, since Sima Yi tended to have more men and resources, he started winning battles against the former. Which, y’know, kinda sucked.
On to the actual story: Zhuge Liang is all like “shit i gotta defend this city with like 10 men.” Literally if he fights ANY kind of battle here, he WILL lose; his only option for survival is not to fight. And that’s looking more and more impossible until he hears that his rival is leading the opposing army. And then he gets this brilliant idea. He basically opens all the gates, sends his men out in civilian clothes to sweep the streets, and sits on top of the gate drinking tea and chilling out and basically makes the whole thing out to be a trap
When Sima Yi comes he’s all like “yo come on in bro”
and Sima Yi is like “yeah he’s never been that obvious about his traps before. this is definitely a bluff” and he’s about to head in when he realizes
wait. he knows that i think he’s bluffing.
and so he gets it in his head that maybe, just MAYBE, Zhuge Liang has this cunning plan that will wipe out his army - recall that he has a pretty good handle on what his rival is capable of. And after a long period of deliberation (which is just like “he know that I know that he knows that etc.”), being the cautious man he is, SIma Yi eventually decides to turn his entire army around and leave.
Zhuge Liang later points out that the plan was based specifically on the fact that he was facing his rival; if it had been anyone else, there’s no way it would have worked. A dumber or less cautious person would have simply charged in and won without breaking a sweat. 
and that’s the real genius here: it was a plan formed entirely just to deceive one man, and it worked.

Zhuge Liang is the most brilliant, sneaky-ass bastard in history. One time his side’s army was out of arrows, which pretty much meant they were screwed. So Zhuge Liang goes and does the logical thing, which is build a fuck ton of scarecrows and put them all on boats. Then he makes the men hide in the boats and sail them out on the river.
Well, that day was super foggy (which Zhuge Liang had predicted. Did I mention he was also a freakishly accurate meteorologist?). So the enemy across the river sees a fleet of boats armed to the teeth with what appears to be half an army of men. They panic! and start firing arrows like crazy. 
Zhuge Liang lets this play out for a while, then he’s like, ”Ok guys that’s enough.” They calmly turn the boats around and go back to base, where they dismantle the scarecrows and pull out all the enemy’s arrows.
Zhuge Liang is legend.

I love this post. It just keeps getting better. Like seriously, I would have adored learning about this in World History.

If you want to see this in cinematic glory, watch Red Cliff.
Especially since it makes Zhuge Liang look like this:
Red Cliff is 50% bloody battles and 50% eye candy and about half of that eye-candy is due to Zhuge Liang

I fully support watching Red Cliff; it’s gloriously silly entertainment during the battle scenes.

Guess what just got moved to the top of my watch list?? :D

inquisitorhotpants: burntcopper: futureevilscientist: optimysticals: uovoc: konec0: sleepyferret: shitfacedanon: dat-soldier: so...

hide: Try to hide now you prick
hide: Try to hide now you prick

Try to hide now you prick

hide: Try to hide now you prick
hide: Try to hide now you prick

Try to hide now you prick

hide: Naughty Batman Trying To Hide as a Panther.
hide: Naughty Batman Trying To Hide as a Panther.

Naughty Batman Trying To Hide as a Panther.

hide: phantomemes: sentences from the youtube series  ,  buzzfeed unsolved .  primarily taken from season 5′s supernatural investigations . “ it doesn’t matter because you’re dead ” “ it’s not impressive  ,  no one’s impressed ” “ the spot of your death is now a lovely gift shop ” “ as god as my witness  ,  he snapped him in half ” “ i seriously want you to throw something right at my face ” “ you can live in the cave ” “ i’m a big fan of your name ” “ the fact that you steal  ,  that’s really funny to me ” “ that’s the greatest thing to steal  :  a man’s joy ” “ because i’m a masochist ” “ i’m going to regret this ” “ i’ve lost the ability to feel ” “ they’re gonna fucking murder you ” “ the way you shushed me was quite rude ” “ cowards  ,  all of you ” “ i’m strange and off putting ” “ i should not feel confident in the face of any man ” “ here you are  ,  smiling in the face of the devil ” “ i hate bats ” “ bats sometimes carry rabies and that’s a thing i’m afraid of ” “ not today devil birds  ,  not today ” “ i think i’m blacking out right now ” “ i don’t think i’m going to remember this moment ” “ i think i’m gonna cry ” “ i keep forgetting there’s ghosts in here ” “ if you know me and my debilitating fear of bears  ,  this is my worst nightmare ” “ i’m standing on an altar alone ” “ maybe you’ll wake up in the middle of the night and eat your cat ” “ i’m so glad that’s over let’s go eat taco bell ” “ were you making horse noises ? ” “ in case any of you needed a reminder this place is a twisting nightmare ” “ there’s a good chance i’m gonna fart in here ” “ well this is horrifying ” “ let’s do each other a favor and not show ourselves to each other ” “ if you could do me a big solid and not do anything that would be sublime ” “ this is just as horrifying as i thought it would be ” “ you talk to hide from the silence ” “ do i look like the kind of man who could give advice ? ” “ several bad choices have lead me to this moment ” “ let’s play look at the ceiling tiles !  1 , 2 , 3 , 4 … ” “ i just wanna know if you think they have belly buttons ” “ i did meet some of the most insufferable people but they also met me ” “ if it sounds like a duck and walks like a duck ”
hide: phantomemes:
sentences from the youtube series  ,  buzzfeed unsolved .  primarily taken from season 5′s supernatural investigations .
“ it doesn’t matter because you’re dead ”
“ it’s not impressive  ,  no one’s impressed ”
“ the spot of your death is now a lovely gift shop ”
“ as god as my witness  ,  he snapped him in half ”
“ i seriously want you to throw something right at my face ”
“ you can live in the cave ”
“ i’m a big fan of your name ”
“ the fact that you steal  ,  that’s really funny to me ”
“ that’s the greatest thing to steal  :  a man’s joy ”
“ because i’m a masochist ”
“ i’m going to regret this ”
“ i’ve lost the ability to feel ”
“ they’re gonna fucking murder you ”
“ the way you shushed me was quite rude ”
“ cowards  ,  all of you ”
“ i’m strange and off putting ”
“ i should not feel confident in the face of any man ”
“ here you are  ,  smiling in the face of the devil ”
“ i hate bats ”
“ bats sometimes carry rabies and that’s a thing i’m afraid of ”
“ not today devil birds  ,  not today ”
“ i think i’m blacking out right now ”
“ i don’t think i’m going to remember this moment ”
“ i think i’m gonna cry ”
“ i keep forgetting there’s ghosts in here ”
“ if you know me and my debilitating fear of bears  ,  this is my worst nightmare ”
“ i’m standing on an altar alone ”
“ maybe you’ll wake up in the middle of the night and eat your cat ”
“ i’m so glad that’s over let’s go eat taco bell ”
“ were you making horse noises ? ”
“ in case any of you needed a reminder this place is a twisting nightmare ”
“ there’s a good chance i’m gonna fart in here ”
“ well this is horrifying ”
“ let’s do each other a favor and not show ourselves to each other ”
“ if you could do me a big solid and not do anything that would be sublime ”
“ this is just as horrifying as i thought it would be ”
“ you talk to hide from the silence ”
“ do i look like the kind of man who could give advice ? ”
“ several bad choices have lead me to this moment ”
“ let’s play look at the ceiling tiles !  1 , 2 , 3 , 4 … ”
“ i just wanna know if you think they have belly buttons ”
“ i did meet some of the most insufferable people but they also met me ”
“ if it sounds like a duck and walks like a duck ”

phantomemes: sentences from the youtube series  ,  buzzfeed unsolved .  primarily taken from season 5′s supernatural investigations . “ i...

hide: “Trying to play hide and seek with my dog, but she gets just TOO EXCITED when I spot her lol”(Source)
hide: “Trying to play hide and seek with my dog, but she gets just TOO EXCITED when I spot her lol”(Source)

“Trying to play hide and seek with my dog, but she gets just TOO EXCITED when I spot her lol”(Source)

hide: Gotta hide fast
hide: Gotta hide fast

Gotta hide fast

hide: I use a Cloud VM to hide my shame
hide: I use a Cloud VM to hide my shame

I use a Cloud VM to hide my shame

hide: clockworkrobotic: bigancestorenergy: ouma-anti: whatjordylikes: danielle-mertina: blackqueerblog: Some parents really don’t understand the difference between actual discipline and hurting your kids. This teaches a kid nothing except needing to hide what makes them happy because they’re scared their parents will destroy it. Wow…what a terrible parent. Minecraft is A LOT of work, diligence, and creativity. The parent should have been encouraging that. And why does a 9 year old need to wake up every day at 7 am during a pandemic? What’s wrong with this person? I can foresee an estranged relationship in the future. Because this parent is out of their minds and more interested in exacting punitive control than being a loving caregiver. Y'all wonder why some kids are the way they are? This is it. why on earth does a NINE YEAR OLD CHILD has to wake up at fucking 7 am during a pandemic? also children may require up to TWELVE HOURS of sleep he’s not being defiant—without the threat of a ridiculous and unnatural hour he MUST be awake at he’s actually following his natural circadian rhythm which is actually HEALTHIER for him what they’ve done is broken his trust in a MAJOR way. he does not feel safe or in control. which is why he is refusing meals. honestly? if they keep this behavior up—let alone just not apologizing and finding the save file for his game—he’s gonna develop some dangerous coping skills like yknow. An eating disorder. Dissociation. Self harm. I’m not being hyperbolic. this is literally how it starts. This is the second time this week I’ve seen a story like this (the first being the boyfriend destroying his girlfriend’s AC island over an argument) and it makes me think – how is this ANY different to someone destroying a physical piece of art someone’s made: ripping up their sketchbook, breaking ceramics, cutting up cosplays? If this person had come forward with a question like “my son wouldn’t get out of bed so I broke the birdbox he made” there wouldn’t be ANY question whether this was abusive behaviour. There’s an inherent disconnect with how we talk about the “value” of virtual items/creations in video games: something about the way that these things aren’t tangible in the conventional sense makes them somehow less valuable than something everyone can hold and observe and appreciate. Think about the amount of “funny gamer rage” videos out there that are people upset over losing WoW saves and the likes: game saves are often things people have put hundreds of hours into, they have value to that person and are representative of their own dedication. Hell, I’m really bummed at the moment over not having access to some of my BL2 saves (I can’t travel to get my PS4 from uni), and I know I’d be upset if I lost them forever.  Video games are a massive escape mechanism for a lot of people especially right now, and putting time and effort into particularly building games is a constructive and creative outlet that gives people a feeling of accomplishment (and let’s be real it’s a lot more practical than having a house full of lego). Yet there’s still this weird stigma attached to them, this “it’s just a game” mentality that leads people to be easily dismissive of others’ feelings over losing progress. Destroyed your girlfriend’s AC island, which she put hundreds of hours into building? Whatever, it’s just a game. Deleted your kid’s minecraft file, which he spent an entire year working on? Whatever, it’s just a game, why are you so mad? It’s not a real thing, it’s just some numbers hiding behind fancy computer graphics! Actions like this are intentional, targeted destruction of another person’s property - property they have created themselves -  by an adult who knew what they were doing and we should NOT treat them as anything other than that, regardless of medium.
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ouma-anti:

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danielle-mertina:


blackqueerblog:


Some parents really don’t understand the difference between actual discipline and hurting your kids.

This teaches a kid nothing except needing to hide what makes them happy because they’re scared their parents will destroy it.




Wow…what a terrible parent. Minecraft is A LOT of work, diligence, and creativity. The parent should have been encouraging that. And why does a 9 year old need to wake up every day at 7 am during a pandemic? What’s wrong with this person? 
I can foresee an estranged relationship in the future. Because this parent is out of their minds and more interested in exacting punitive control than being a loving caregiver. 



Y'all wonder why some kids are the way they are? This is it. 

why on earth does a NINE YEAR OLD CHILD has to wake up at fucking 7 am during a pandemic? 

also children may require up to TWELVE HOURS of sleep
he’s not being defiant—without the threat of a ridiculous and unnatural hour he MUST be awake at he’s actually following his natural circadian rhythm which is actually HEALTHIER for him
what they’ve done is broken his trust in a MAJOR way. he does not feel safe or in control. which is why he is refusing meals. 
honestly? if they keep this behavior up—let alone just not apologizing and finding the save file for his game—he’s gonna develop some dangerous coping skills like yknow. An eating disorder. Dissociation. Self harm.
I’m not being hyperbolic. this is literally how it starts.

This is the second time this week I’ve seen a story like this (the first being the boyfriend destroying his girlfriend’s AC island over an argument) and it makes me think – how is this ANY different to someone destroying a physical piece of art someone’s made: ripping up their sketchbook, breaking ceramics, cutting up cosplays? If this person had come forward with a question like “my son wouldn’t get out of bed so I broke the birdbox he made” there wouldn’t be ANY question whether this was abusive behaviour.
There’s an inherent disconnect with how we talk about the “value” of virtual items/creations in video games: something about the way that these things aren’t tangible in the conventional sense makes them somehow less valuable than something everyone can hold and observe and appreciate. Think about the amount of “funny gamer rage” videos out there that are people upset over losing WoW saves and the likes: game saves are often things people have put hundreds of hours into, they have value to that person and are representative of their own dedication. Hell, I’m really bummed at the moment over not having access to some of my BL2 saves (I can’t travel to get my PS4 from uni), and I know I’d be upset if I lost them forever. 
Video games are a massive escape mechanism for a lot of people especially right now, and putting time and effort into particularly building games is a constructive and creative outlet that gives people a feeling of accomplishment (and let’s be real it’s a lot more practical than having a house full of lego). Yet there’s still this weird stigma attached to them, this “it’s just a game” mentality that leads people to be easily dismissive of others’ feelings over losing progress. Destroyed your girlfriend’s AC island, which she put hundreds of hours into building? Whatever, it’s just a game. Deleted your kid’s minecraft file, which he spent an entire year working on? Whatever, it’s just a game, why are you so mad? It’s not a real thing, it’s just some numbers hiding behind fancy computer graphics!
Actions like this are intentional, targeted destruction of another person’s property - property they have created themselves -  by an adult who knew what they were doing and we should NOT treat them as anything other than that, regardless of medium.

clockworkrobotic: bigancestorenergy: ouma-anti: whatjordylikes: danielle-mertina: blackqueerblog: Some parents really don’t under...

hide: quecksilvereyes: blackqueerblog: Some parents really don’t understand the difference between actual discipline and hurting your kids. This teaches a kid nothing except needing to hide what makes them happy because they’re scared their parents will destroy it. also????? wake up your kid if they don’t hear their alarm????? dont do this???? I get the point on needing to be able to wake up by himself, but 1 - alarms don’t promote that either and 2 - he’s 9.If he’s sleeping in, especially at a younger age? There’s something wrong. Kids tend to wale up early, have high energy, etc. He’s either unable to sleep at night due to the monotony of the day not taking up enough energy, or being in lockdown has been affecting his mental health, which will make him more tired, or maybe he’s feeling ill and sees no reason to mention it because it won’t affect anything, or who knows what else. Don’t punish your kid for sleeping late, make sure they’re okay and maybe, if they feel they need more sleep, add an extra hour on in the morning or something. Saying that if he doesn’t wake up on time there will be consequences, which will stress him out and stop him sleeping, maybe even motivating him to stay up all night instead of risking oversleeping. We don’t have control over when we wake up, and if he’s sleeping through alarms, something needs to change. Maybe even changing the sound will help, but you gotta try and find a solution to whatever is causing him to oversleep, not make him feel bad for it and, in the process, lose his trust.Also, just so you know, postive reinforcement (giving a reward) and negative reinforcement (temoving something bad - such as painkillers removing a headache) work miles better than punishment (destroying something they love and are proud of).
hide: quecksilvereyes:

blackqueerblog:
Some parents really don’t understand the difference between actual discipline and hurting your kids.

This teaches a kid nothing except needing to hide what makes them happy because they’re scared their parents will destroy it.




also????? wake up your kid if they don’t hear their alarm????? dont do this????


I get the point on needing to be able to wake up by himself, but 1 - alarms don’t promote that either and 2 - he’s 9.If he’s sleeping in, especially at a younger age? There’s something wrong. Kids tend to wale up early, have high energy, etc. He’s either unable to sleep at night due to the monotony of the day not taking up enough energy, or being in lockdown has been affecting his mental health, which will make him more tired, or maybe he’s feeling ill and sees no reason to mention it because it won’t affect anything, or who knows what else. Don’t punish your kid for sleeping late, make sure they’re okay and maybe, if they feel they need more sleep, add an extra hour on in the morning or something. Saying that if he doesn’t wake up on time there will be consequences, which will stress him out and stop him sleeping, maybe even motivating him to stay up all night instead of risking oversleeping. We don’t have control over when we wake up, and if he’s sleeping through alarms, something needs to change. Maybe even changing the sound will help, but you gotta try and find a solution to whatever is causing him to oversleep, not make him feel bad for it and, in the process, lose his trust.Also, just so you know, postive reinforcement (giving a reward) and negative reinforcement (temoving something bad - such as painkillers removing a headache) work miles better than punishment (destroying something they love and are proud of).

quecksilvereyes: blackqueerblog: Some parents really don’t understand the difference between actual discipline and hurting your kids. T...

hide: You can run but you can’t hide forever!
hide: You can run but you can’t hide forever!

You can run but you can’t hide forever!

hide: You can run but you can’t hide forever! by Harriz_Burhan MORE MEMES
hide: You can run but you can’t hide forever! by Harriz_Burhan
MORE MEMES

You can run but you can’t hide forever! by Harriz_Burhan MORE MEMES

hide: solaredarisen: randomnightlord: solaredarisen: randomnightlord: solaredarisen: randomnightlord: mordinette: rocketmermaid: atelierabintra: pmseymourva: dreamwalkertara: enigmaticagentalice: theheroheart: glitterpill: dropkicks: lesbianmooncolony: sinbadism: maxofs2d: guitarbeard: alexxdz: GO WATCH A MOVIE Next up on Worth Reading: The other team should just fucking let me win when I play baseball.  well this isn’t necessarily a bad point. there are games with great stories and really awful shoehorned fighting sequences. then you also have handicapped/disabled gamers who don’t necessarily have the dexterity to finish a game but would still like to be able to. optional “cakewalk” modes aren’t that bad of an idea. what if i want to just see the story of the game and dont want to actually play it? like?? as it is i would never pay for a bioshock game or a fallout game but i am very interested in the story. so i just watch youtube videos of it. they could get money from me if they sold the skip combat mode i’m a games developer and an avid gamer and i really really think games should let you skip combat honestly one of my favourite things about la noire was when you failed a sequence twice the game was like “yo do you just wanna skip this bit?”the gaming industry/community has a huge problem with accessibility tbh. like, thank god for standardised control schemes (although bring back full customisation jfc not enough games have that anymore) but fights require time, literacy in both that type of gaming & in the individual game, you need to be able to navigate the system which can be anywhere from slightly difficult to hellish for people with visual/audio processing disorders. and tbh sometimes you just wanna enjoy the story and not get stressed the hell out doing the sAME FIGHT 700 times. it’s why i always put a game on easy/casual when I’m replaying unless i’m specifically going for difficulty based achievements.not to mention SO MANY GAMES have either poorly designed battles or fights that have been shoved in for no reason other than to pad out the game (dxhr & da2 come to mind immediately) that sometimes it’d honestly improve the gameplay to just skip them altogether Imagine if you were a gamer with arthritis or MS or some other disability that took away your ability to click buttons quickly, and every fight became as frustrating as THAT GODDAMN DA: ORIGINS OH FUCK I’M ON FIRE SLIDE PUZZLE.  Yeah. Skipping combat might seem like a not bad idea then. Mass Effect 3 has this: [Screenshot from a Mass Effect 3 menu, with title: “Choose Your Experience”, showing the options ‘action’, ‘role playing’ and ‘story’.] ‘Action’ makes most story choices for you and conversations become straight up cutscenes. ‘Role playing’ is the default experience, both challenging gameplay and character/story building. And ‘story’ has the roleplaying but very easy combat, letting you breeze through it. (You also have a ‘casual’ difficulty setting that’s a bit more rewarding but still pretty easy.) The thing about video games (particularly RPGs or in general games that allow you to explore or direct the story) is that the interactivity is what makes it different from movies or watching LPs on youtube. And I’ve played games that got FAR stronger emotional reactions out of me simply because I had to carry out the actions myself rather than just watching. And that experience should be more accessible. Because SHOCKINGLY: games aren’t always about winning, or being good at it. It’s about having fun. This is kindergarten education here. Yeah, it always baffles me when I see people react so negatively to a perfectly reasonable suggestion like this. Why the hell shouldn’t games let you skip combat if you want to? Why shouldn’t there be a super-duper-easy-peasy mode for everything? No-one is gonna force YOU to play it like that if you don’t want to! Continue to be as hardcore as you like! I just don’t understand the resistance at all. What we’re talking about is simply having more options for gamers. You’re adding something that would make games more accessible and fun for loads of new fans, and you’re not taking ANYTHING away from existing fans. Like…do you…not want more people to enjoy these games?? Do you really hate the idea of other people having fun so much that you’ll rile against it even when it literally has no effect on you or your experience whatsoever?? Are you honestly that selfish?? I am *horrifically* bad at gaming, but it’s a genre that I’m intensely interested in and very desperately want to be more immersed in. I would HAPPILY buy so many more games if combat was a skippable option.  Not to mention one of the best indie games out right now is pretty much telling you if you want the best ending, don’t fight. Yeah, I hate the elitist mentality that only those ~*~*hardcore*~*~ enough should be allowed to enjoy video games. I mean, gaming should be an experience to be had and not just an obstacle to clear, right?Then again, my poor mental health situation and chronic pain+mobility issues on my right hand means that my gaming options are severely limited nowadays. So I’m all about making gaming accessible for everyone in the first place.Anyone who thinks gaming will be ruined by making it more accessible need to realize that they have already ruined gaming for many. Anyone who thinks gaming will be ruined by making it more accessible need to realize that they have already ruined gaming for many. I’ve had to stop playing certain games because all the button mashing aggravated my carpal tunnel pain, and I rage quit some because they had a super frustrating part that I could never get past. Games should be fun, not a test of endurance. At least, they should let you skip the difficult parts you are unable to do. They can still have a hardcore mode for people who enjoy a challenge. They would still get to brag about their accomplishments without preventing others from enjoying an otherwise fun game. Unpopular opinion but just watch the game on youtube then? Why spend money when you don’t get the full experience? The different between watching and playing is Watching you’re seeing someone’s experience Playing you’re experiencing it I watched a lot of gameplay and playing some of the games myself have a very different feels to it Understandable but why waste money on a 70 bucks game if you cut out like 30 or 40 percent? That’s not worth it I have to go 50/50 on that one because I tend to avoid fights in AC: Syndicate Isn’t the whole point of AC to avoid fighting? Or did that change since Brotherhood? Syndicate is based on victorian era & there’s gangsI literally had to hide because I keep walking to area higher than my current level because of main story line Goddammit AC. You had one job
hide: solaredarisen:

randomnightlord:

solaredarisen:

randomnightlord:
solaredarisen:


randomnightlord:

mordinette:

rocketmermaid:

atelierabintra:

pmseymourva:

dreamwalkertara:

enigmaticagentalice:

theheroheart:

glitterpill:

dropkicks:

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maxofs2d:

guitarbeard:

alexxdz:

GO WATCH A MOVIE 

Next up on Worth Reading: The other team should just fucking let me win when I play baseball. 

well this isn’t necessarily a bad point. there are games with great stories and really awful shoehorned fighting sequences. then you also have handicapped/disabled gamers who don’t necessarily have the dexterity to finish a game but would still like to be able to.
optional “cakewalk” modes aren’t that bad of an idea.

what if i want to just see the story of the game and dont want to actually play it? like??
as it is i would never pay for a bioshock game or a fallout game but i am very interested in the story. so i just watch youtube videos of it. they could get money from me if they sold the skip combat mode

i’m a games developer and an avid gamer and i really really think games should let you skip combat

honestly one of my favourite things about la noire was when you failed a sequence twice the game was like “yo do you just wanna skip this bit?”the gaming industry/community has a huge problem with accessibility tbh. like, thank god for standardised control schemes (although bring back full customisation jfc  not enough games have that anymore) but fights require time, literacy in both that type of gaming & in the individual game, you need to be able to navigate the system which can be anywhere from slightly difficult to hellish for people with visual/audio processing disorders. and tbh sometimes you just wanna enjoy the story and not get stressed the hell out doing the sAME FIGHT 700 times. it’s why i always put a game on easy/casual when I’m replaying unless  i’m specifically going for difficulty based achievements.not to mention SO MANY GAMES have either poorly designed battles or fights that have been shoved in for no reason other than to pad out the game (dxhr & da2 come to mind immediately) that sometimes it’d honestly improve the gameplay to just skip them altogether

Imagine if you were a gamer with arthritis or MS or some other disability that took away your ability to click buttons quickly, and every fight became as frustrating as THAT GODDAMN DA: ORIGINS OH FUCK I’M ON FIRE SLIDE PUZZLE. 
Yeah. Skipping combat might seem like a not bad idea then.

Mass Effect 3 has this:
[Screenshot from a Mass Effect 3 menu, with title: “Choose Your Experience”, showing the options ‘action’, ‘role playing’ and ‘story’.]
‘Action’ makes most story choices for you and conversations become straight up cutscenes. ‘Role playing’ is the default experience, both challenging gameplay and character/story building. And ‘story’ has the roleplaying but very easy combat, letting you breeze through it. (You also have a ‘casual’ difficulty setting that’s a bit more rewarding but still pretty easy.)
The thing about video games (particularly RPGs or in general games that allow you to explore or direct the story) is that the interactivity is what makes it different from movies or watching LPs on youtube. And I’ve played games that got FAR stronger emotional reactions out of me simply because I had to carry out the actions myself rather than just watching. And that experience should be more accessible.
Because SHOCKINGLY: games aren’t always about winning, or being good at it. It’s about having fun. This is kindergarten education here.

Yeah, it always baffles me when I see people react so negatively to a perfectly reasonable suggestion like this.
Why the hell shouldn’t games let you skip combat if you want to? Why shouldn’t there be a super-duper-easy-peasy mode for everything? No-one is gonna force YOU to play it like that if you don’t want to! Continue to be as hardcore as you like!
I just don’t understand the resistance at all. What we’re talking about is simply having more options for gamers. You’re adding something that would make games more accessible and fun for loads of new fans, and you’re not taking ANYTHING away from existing fans.
Like…do you…not want more people to enjoy these games?? Do you really hate the idea of other people having fun so much that you’ll rile against it even when it literally has no effect on you or your experience whatsoever?? Are you honestly that selfish??

I am *horrifically* bad at gaming, but it’s a genre that I’m intensely interested in and very desperately want to be more immersed in. I would HAPPILY buy so many more games if combat was a skippable option. 

Not to mention one of the best indie games out right now is pretty much telling you if you want the best ending, don’t fight.



Yeah, I hate the elitist mentality that only those ~*~*hardcore*~*~ enough should be allowed to enjoy video games. I mean, gaming should be an experience to be had and not just an obstacle to clear, right?Then again, my poor mental health situation and chronic pain+mobility issues on my right hand means that my gaming options are severely limited nowadays. So I’m all about making gaming accessible for everyone in the first place.Anyone who thinks gaming will be ruined by making it more accessible need to realize that they have already ruined gaming for many.



Anyone who thinks gaming will be ruined by making it more accessible need to realize that they have already ruined gaming for many.



I’ve had to stop playing certain games because all the button mashing aggravated my carpal tunnel pain, and I rage quit some because they had a super frustrating part that I could never get past. Games should be fun, not a test of endurance. At least, they should let you skip the difficult parts you are unable to do. They can still have a hardcore mode for people who enjoy a challenge. They would still get to brag about their accomplishments without preventing others from enjoying an otherwise fun game.



Unpopular opinion but just watch the game on youtube then? Why spend money when you don’t get the full experience? 

The different between watching and playing is
Watching you’re seeing someone’s experience
Playing you’re experiencing it
I watched a lot of gameplay and playing some of the games myself have a very different feels to it



Understandable but why waste money on a 70 bucks game if you cut out like 30 or 40 percent? That’s not worth it

I have to go 50/50 on that one because I tend to avoid fights in AC: 
Syndicate




Isn’t the whole point of AC to avoid fighting? Or did that change since Brotherhood? 


Syndicate is based on victorian era & there’s gangsI literally had to hide because I keep walking to area higher than my current level because of main story line


Goddammit AC. You had one job

solaredarisen: randomnightlord: solaredarisen: randomnightlord: solaredarisen: randomnightlord: mordinette: rocketmermaid: atelie...

hide: Hide the pain harold mask
hide: Hide the pain harold mask

Hide the pain harold mask

hide: Hide the pain harold mask
hide: Hide the pain harold mask

Hide the pain harold mask

hide: spoopernatural-2000: sixpenceee: How to find crabs Source This is why we stay far away from the ocean
hide: spoopernatural-2000:

sixpenceee:


How to find crabs
Source


This is why we stay far away from the ocean

spoopernatural-2000: sixpenceee: How to find crabs Source This is why we stay far away from the ocean

hide: Welp, time to kill you now and hide your body. by MikeisTOOOTALLL MORE MEMES
hide: Welp, time to kill you now and hide your body. by MikeisTOOOTALLL
MORE MEMES

Welp, time to kill you now and hide your body. by MikeisTOOOTALLL MORE MEMES

hide: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER
hide: cereusblue:
unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER

cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the g...

hide: My neighbor likes to hide his (badly done) taxidermy coyote in odd places around the neighborhood.
hide: My neighbor likes to hide his (badly done) taxidermy coyote in odd places around the neighborhood.

My neighbor likes to hide his (badly done) taxidermy coyote in odd places around the neighborhood.

hide: cheeseanonioncrisps: roseverdict: roseverdict: jus-tea: Daddy’s at the food store, Mummy’s out of town, She’s working at the hospital since Rhona came to town, Hide away, hide away, Miss Rhona’s come to town, Hide away, hide away, she’s come to take us down. Miss Rhona’s at the doorstep, I’ll keep 6 feet away, But Grandma needs the paper, I’ll take her some today, Hide away, hide away, Miss Rhona’s come to stay, Hide away, hide away, we can’t come out to play. But Grandma needs the paper, I’ll take her some today, And here’s a note from Rhona, she wanted me to say, Hide away, hide away, keep 6 feet away, Hide away, hide away, she took us down today. [Image ID: Tumblr user @neanderthyall says in the notes, “I thought that 6 feet was kind of a double meaning. Like six feet away to stop the spread, but when people die they’re six feet underground, and its six feet of the dirt that keeps you apart. Like ‘Hide away, hide away, even though it hurts Hide away, hide away, or the six feet will be dirt’.” End ID.] HI DON’T LEAVE THIS IN THE NOTES THAT’S ACTUALLY BRILLIANT It’s not a proper creepy nursery rhyme until it’s got an eery childrens’ game attached to it though (think ring-a-round-the-roses or oranges and lemons). One child shall be designated ‘Miss (Mr, Mx) Rhona’ and will have to cover their eyes (hide away). They then have to try to catch the other kids— think Blind Man’s Bluff. The children running away chant the rhyme, to make it easier for ‘Rhona’ to find them. Any child tagged becomes another ‘Rhona’ and must also cover their eyes and join in the chase. The winner is the last child left uninfected. Meanwhile all adults in the area must watch with a vague sense of unease, and whisper to each other “do you know what that’s inspired by?”
hide: cheeseanonioncrisps:

roseverdict:

roseverdict:


jus-tea:

Daddy’s at the food store, Mummy’s out of town,
She’s working at the hospital since Rhona came to town,
Hide away, hide away, Miss Rhona’s come to town,
Hide away, hide away, she’s come to take us down.
Miss Rhona’s at the doorstep, I’ll keep 6 feet away,
But Grandma needs the paper, I’ll take her some today,
Hide away, hide away, Miss Rhona’s come to stay,
Hide away, hide away, we can’t come out to play.
But Grandma needs the paper, I’ll take her some today,
And here’s a note from Rhona, she wanted me to say,
Hide away, hide away, keep 6 feet away,
Hide away, hide away, she took us down today.






[Image ID: Tumblr user @neanderthyall says in the notes, “I thought that 6 feet was kind of a double meaning. Like six feet away to stop the spread, but when people die they’re six feet underground, and its six feet of the dirt that keeps you apart. Like ‘Hide away, hide away, even though it hurts Hide away, hide away, or the six feet will be dirt’.” End ID.]
HI DON’T LEAVE THIS IN THE NOTES THAT’S ACTUALLY BRILLIANT



It’s not a proper creepy nursery rhyme until it’s got an eery childrens’ game attached to it though (think ring-a-round-the-roses or oranges and lemons).
One child shall be designated ‘Miss (Mr, Mx) Rhona’ and will have to cover their eyes (hide away). They then have to try to catch the other kids— think Blind Man’s Bluff. The children running away chant the rhyme, to make it easier for ‘Rhona’ to find them.
Any child tagged becomes another ‘Rhona’ and must also cover their eyes and join in the chase. The winner is the last child left uninfected.
Meanwhile all adults in the area must watch with a vague sense of unease, and whisper to each other “do you know what that’s inspired by?”

cheeseanonioncrisps: roseverdict: roseverdict: jus-tea: Daddy’s at the food store, Mummy’s out of town, She’s working at the hospita...

hide: epicdndmemes: He passed the saving throw so does anyone know where to hide a body?
hide: epicdndmemes:

He passed the saving throw so does anyone know where to hide a body?

epicdndmemes: He passed the saving throw so does anyone know where to hide a body?

hide: Dont hide your culture.
hide: Dont hide your culture.

Dont hide your culture.

hide: “Trying to play hide and seek with my dog, but she gets just TOO EXCITED when I spot her lol”(via)
hide: “Trying to play hide and seek with my dog, but she gets just TOO EXCITED when I spot her lol”(via)

“Trying to play hide and seek with my dog, but she gets just TOO EXCITED when I spot her lol”(via)

hide: András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture
hide: András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture

András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture

hide: András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture by Filthy_Dub MORE MEMES
hide: András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture by Filthy_Dub
MORE MEMES

András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture by Filthy_Dub MORE MEMES

hide: lgb-tease: Why would you hide this in the tags!
hide: lgb-tease:

Why would you hide this in the tags!

lgb-tease: Why would you hide this in the tags!

hide: András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture
hide: András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture

András Arató Shares His Story Of Becoming “Hide The Pain Harold” With KYM And Learning To Embrace Internet Culture

hide: Can’t hide from the truth
hide: Can’t hide from the truth

Can’t hide from the truth

hide: You can Run but you can’t hide from the Karens
hide: You can Run but you can’t hide from the Karens

You can Run but you can’t hide from the Karens

hide: I’m Hide The Pain Harold
hide: I’m Hide The Pain Harold

I’m Hide The Pain Harold

hide: ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: This is how the golden age of piracy ended. The first mermaid to get tattoos :) “we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?” “kill it,” the captain says, but the ice is melting in his eyes. “we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.” “i know.” x “daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.” her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her. “daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor. “don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing. x “father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?” “your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.” she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says. x “why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam. “we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.” she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family. “it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.” x her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.” the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass. “why not?” the mermaid asks. “he’ll win,” the first mate says. the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks. x the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her. “don’t worry,” she says, with a bright laugh, “it was fun.” x the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape. “let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.” they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her. she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings. the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone. x she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea. x “you know we are dying,” the captain says, looking down at her. she floats next to the ship, so massive she could hold it in her arms. her eyes are wise. “i know,” she says, “i can feel it coming.” the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. “we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either. “i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time. “guard the ship,” the captain says. “you always have but you know they’re lost without you.” “without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?” “i don’t know,” the captain says. “but you’ll help them, won’t you?” “of course i will,” she scoffs, rolling her eyes. “i will always protect my family.” x the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid. “you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock. the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy. “they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.” “and now?” “they were right,” the new captain says. “how did they ever befriend you?” the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.” She protects her family. Hi everybody! Guess what’s being posted on AO3 now at the following link! https://archiveofourown.org/works/22498384/chapters/53760817 That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there! HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER I love this
hide: ironwoman359:
cereusblue:

unnameablethings:


dragonsateyourtoast:

redporkpadthai:

dragonsateyourtoast:

otherwindow:

otherwindow:
This is how the golden age of piracy ended.
The first mermaid to get tattoos :)


“we didn’t know any better,” the crewman says, and swallows, presenting the chest to the captain. “what do we do now?”
“kill it,” the captain says, but the ice is melting in his eyes.
“we can’t,” the first mate says desperately, praying she won’t have to fight her captain on this. “we can’t. we - i won’t. we won’t.”
“i know.”
x
“daddy,” she says, floating in a tub of seawater in the hold, “daddy, la-la, la-la-la.”
her voice rings like bells. her accent is strange; her mouth isn’t made for human words. it mesmerises even the hardiest amongst them and she wasn’t even trying. the crew has taken to diving for shellfish near the shorelines for her; she loves them, splitting the shells apart with strength seen in no human toddler, slurping down the slimy molluscs inside and laughing, all plump brown cheeks and needle-sharp teeth. she sometimes splashes them for fun with her smooth, rubbery brown tail. even when they get soaked they laugh. they love her.
“daddy,” she calls again, and he can hear the worry in her voice. the storm rocking the ship is harsh and uncaring, and if they go down, she would be the only survivor.
“don’t worry,” he says, and goes over, sitting next to the tub. the first mate, leaning against the wall, pretends not to notice as he quietly begins to sing.
x
“father,” she says, one day, as she leans on the edge of the dock and the captain sits next to her, “why am I here?”
“your mother abandoned you,” he says, as he always has. “we found you adrift, and couldn’t bear to leave you there.”
she picks at the salt-soaked boards, uncertain. her hair is pulled back in a fluffy black puff, the white linen holding it slipping almost over one of her dark eyes. one of her first tattoos, a many-limbed kraken, curls over her right shoulder and down her arm, delicate tendrils wrapped around her calloused fingertips. “alright,” she says.
x
“why am I really here?” she asks the first mate, watching the sun set over the water in streaks of liquid metal that pooled in the troughs of the waves and glittered on the seafoam.
“we didn’t know any better,” the first mate says, staring into the water. “we didn’t know- we didn’t know anything. we didn’t understand why she fought so viciously to guard her treasure. we could not know she protected something a thousand times more precious than the purest gold.”
she wants to be furious, but she can’t. she already knew the answer, from reading the guilt in her father’s eyes and the empty space in her own history. and she can’t hate her family.
“it’s alright,” she says. “i do have a family, anyways. i don’t think i would have liked my other life near as much.”
x
her kraken grows, spreading its tendrils over her torso and arms. she grows too, too large to come on board the ship without being hauled up in a boat from the water. she sings when the storms come and swims before the ship to guide it to safety. she fights off more than one beast of the seas, and gathers a set of scars across her back that she bears with pride. “i don’t mind,” she says, when the captain fusses over her, “now i match all of you.”
the first time their ship is threatened, really threatened, is by another fleet. a friend turned enemy of the first mate. “we shouldn’t fight him,” she says, peering through the spyglass.
“why not?” the mermaid asks.
“he’ll win,” the first mate says.
the mermaid tips her head sideways. Her eyes, dark as the deep waters, gleam in the noon light. “are you sure?” she asks.
x
the enemy fleet surrenders after the flagship is sunk in the night, the anchor ripped off the ship and the planks torn off the hull. the surviving crew, wild-eyed and delirious, whimper and say a sea serpent came from the water and attacked them, say it was longer than the boat and crushed it in its coils. the first mate hears this and has to hide her laughter. the captain apologizes to his daughter for doubting her.
“don’t worry,” she says, with a bright laugh, “it was fun.”
x
the second time, they are pushed by a storm into a royal fleet. they can’t possibly fight them, and they don’t have the time to escape.
“let me up,” the mermaid urges, surfacing starboard and shouting to the crew. “bring me up, quickly, quickly.”
they lower the boat and she piles her sinous form into it, and uses her claws to help the crew pull her up. once on the deck she flops out of the boat and makes her way over to the bow. the crew tries to help but she’s so heavy they can barely lift parts of her.
she crawls up out in front of the rail and wraps her long webbed tail around the prow. the figurehead has served them well so far but they need more right now. she wraps herself around the figurehead and raises her body up into the wind takes a breath of the stinging salt air and sings.
the storm carries her voice on its front to the royal navy. they are enchanted, so stunned by her song that they drop the rigging ropes and let the tillers drift. the pirates sail through the center of the fleet, trailing the storm behind them, and by the time the fleet has managed to regain its senses they are buried in wind and rain and the pirates are gone.
x
she declines guns. instead she carries a harpoon and its launcher, and uses them to board enemy ships, hauling her massive form out of the water to coil on the deck and dispatch enemies with ruthless efficiency. her family is feared across all the sea.
x
“you know we are dying,” the captain says, looking down at her.
she floats next to the ship, so massive she could hold it in her arms. her eyes are wise.
“i know,” she says, “i can feel it coming.”
the first mate stands next to the captain. she never had a lover or a child, and neither did he, but to the mermaid they are her parents. she will always love her daughter. the tattoos are graven in dark swirls across the mermaid’s deep brown skin and the flesh of her tail, even spiraling onto the spiked webbing on her spine and face. her hair is still tied back, this time with a sail that could not be patched one last time. 
“we love you,” the first mate says simply, looking down. her own tightly coiled black hair falls in to her face; she shakes the locs out of the way and smiles through her tears. the captain pretends he isnt crying either.
“i love you too,” the mermaid says, and reached up to pull the ship down just a bit, just to hold them one last time.
“guard the ship,” the captain says. “you always have but you know they’re lost without you.”
“without you,” the mermaid corrects, with a shrug that makes waves. “what will we do?”
“i don’t know,” the captain says. “but you’ll help them, won’t you?”
“of course i will,” she scoffs, rolling her eyes. “i will always protect my family.”
x
the captain and the first mate are gone. the ship has a new captain, young and fearless - of the things she can afford to disregard. she fears and loves the ocean, as all captains do. she does not fear the royal fleet. and she does not fear the mermaid.
“you know, i heard stories about you when i was a little girl,” she says, trailing her fingers in the water next to the dock.
the mermaid stares at her with one eye the size of a dinner table. “is that so?” she hums, smirking with teeth sharper than the swords of the entire navy.
“they said you could sink an entire fleet and that you had skin tougher than dragon scales,” the new captain says, grinning right back at the monster who could eat her without a moment’s hesitation. “i always thought they were telling tall tales.”
“and now?”
“they were right,” the new captain says. “how did they ever befriend you?”
the mermaid smiles, fully this time, her dark eyes gleaming under the white linen sail. “they didn’t know any better.”

She protects her family.

Hi everybody! Guess what’s being posted on AO3 now at the following link!
https://archiveofourown.org/works/22498384/chapters/53760817
That’s right! Here you go. I’ll be uploading it in some chunks, because I want to make sure I have everything I wanted edited cleanly finished, but follow the story there!




HEY GUYS GUESS WHATS BACK ON THE DASHBOARD AND BETTER THAN EVER



I love this

ironwoman359: cereusblue: unnameablethings: dragonsateyourtoast: redporkpadthai: dragonsateyourtoast: otherwindow: otherwindow: Th...

hide: Hide the pain
hide: Hide the pain

Hide the pain

hide: Adult hide & seek
hide: Adult hide & seek

Adult hide & seek

hide: bogleech: cazort: marvelousgameofdisneythrones: pangur-and-grim: my favourite part of the Evolutionary Biology courses I took at the University of Toronto was learning that several bird species have 3+ sexes? the ruff bird is a great example - each male variant has a different (and successful!) reproductive strategy, and a different chromosomal sequence. unlike the ruff bird, human sex falls into a bimodal distribution - this means there are two strong peaks (”typical” male and female morphs), with a whole lot in between. evolution is nice way of saying “statistics played out longterm among living organisms”, and evolutionarily successful traits….aren’t something to hold up as natural or moral, or representative of an advanced state. it’s literally just fuck tactics that make your group size increase. (though fucking isn’t always the best route, as asexual reproduction is massively advantageous as a short-term strategy, and certain species dominate the landscape by switching between sexual/asexual depending on environmental conditions) besides all that, the strength of humankind has always been our ability to work together communally, and that’s straight science. so even if you went down the extremely problematic path of valuing fellow humans based on their potential evolutionary contribution (coughs, eugenics, coughs), there would still be zero scientific basis behind discriminating against trans, non-binary and intersex people.  tl;dr here’s a challenge to all the bigots out there: please stop using “science” as a defence when the actual science is (overwhelmingly) against you. Science: pissing off bigots of all kinds since its inception. I find White-throated sparrows fascinating. They have two color morphs, the bright one: And the drab one: The two morphs have very different behavior. The bright ones are more aggressive, setting up territories and defending them, being more aggressive about defending against predators. They sing more often. The dull ones are quieter and less aggressive. They are more attentive to the nest, and better at feeding nestlings. The morphs tend to make a good pairing for raising children because they specialize in different roles. The dull-colored birds, being more camouflaged, are safer when sitting on the nest, and are better able to hide. The bright-colored birds, being more visible, are better able to intimidate predators and rivals. Interestingly though, both color morphs occur in both female and male birds. And birds tend to pair up with both opposite sex and opposite color morph birds. The dimorphism and different roles that, in most birds, are strongly associated with biological sex, in this species has evolved to be abstracted and separated from biological sex. Some people have described this system as the birds having “four sexes”. It’s been proposed that some life may have only first split into multiple sexes in order to confuse or slow down parasites so maybe some folks get offended cause deep down they just think roundworms will get them
hide: bogleech:

cazort:

marvelousgameofdisneythrones:

pangur-and-grim:

my favourite part of the Evolutionary Biology courses I took at the University of Toronto was learning that several bird species have 3+ sexes? the ruff bird is a great example - each male variant has a different (and successful!) reproductive strategy, and a different chromosomal sequence.
unlike the ruff bird, human sex falls into a bimodal distribution - this means there are two strong peaks (”typical” male and female morphs), with a whole lot in between.
evolution is nice way of saying “statistics played out longterm among living organisms”, and evolutionarily successful traits….aren’t something to hold up as natural or moral, or representative of an advanced state. it’s literally just fuck tactics that make your group size increase.
(though fucking isn’t always the best route, as asexual reproduction is massively advantageous as a short-term strategy, and certain species dominate the landscape by switching between sexual/asexual depending on environmental conditions)
besides all that, the strength of humankind has always been our ability to work together communally, and that’s straight science. so even if you went down the extremely problematic path of valuing fellow humans based on their potential evolutionary contribution (coughs, eugenics, coughs), there would still be zero scientific basis behind discriminating against trans, non-binary and intersex people. 
tl;dr here’s a challenge to all the bigots out there: please stop using “science” as a defence when the actual science is (overwhelmingly) against you.

Science: pissing off bigots of all kinds since its inception.

I find White-throated sparrows fascinating. They have two color morphs, the bright one:
And the drab one:
The two morphs have very different behavior. The bright ones are more aggressive, setting up territories and defending them, being more aggressive about defending against predators. They sing more often.
The dull ones are quieter and less aggressive. They are more attentive to the nest, and better at feeding nestlings.
The morphs tend to make a good pairing for raising children because they specialize in different roles. The dull-colored birds, being more camouflaged, are safer when sitting on the nest, and are better able to hide. The bright-colored birds, being more visible, are better able to intimidate predators and rivals.
Interestingly though, both color morphs occur in both female and male birds. And birds tend to pair up with both opposite sex and opposite color morph birds. The dimorphism and different roles that, in most birds, are strongly associated with biological sex, in this species has evolved to be abstracted and separated from biological sex.
Some people have described this system as the birds having “four sexes”.



It’s been proposed that some life may have only first split into multiple sexes in order to confuse or slow down parasites so maybe some folks get offended cause deep down they just think roundworms will get them

bogleech: cazort: marvelousgameofdisneythrones: pangur-and-grim: my favourite part of the Evolutionary Biology courses I took at the...

hide: Hide The Pain Harold is displayed on an informational board in a clinic in Israel
hide: Hide The Pain Harold is displayed on an informational board in a clinic in Israel

Hide The Pain Harold is displayed on an informational board in a clinic in Israel

hide: Share the wins, hide the losses
hide: Share the wins, hide the losses

Share the wins, hide the losses

hide: You can’t hide from the truth.
hide: You can’t hide from the truth.

You can’t hide from the truth.

hide: cupcakeshakesnake: thesouthernjedi: roachpatrol: ghostymcspooky: soloontherocks: notanotherreyloblog: thebaconsandwichofregret: azumariko: he was on TATOOINE you fucking loser Obi-Wan can find an invisible planet hidden by a devious Sith Lord, Anakin can’t find his ex-best friend on his own home planet while the guy is still using his own damn name. I know we give Obi-wan a lot of shit for leaving Luke with his real surname but Anakin really is that stupid the perfect hiding place: the sandiest fucking planet that anakin would never set foot on again I’d like to remind everyone again that it’s literally canon that Vader can’t step foot on Tatooine because the desert gets into his creaky old man robot joints and makes his suit break down aka the sand is coarse, rough, irritating, and gets everywhere i  d o n t  l i k e  s a n d okay but what if everyone was like ‘vader, kenobi’s on tattooine. he’s obviously on tattooine. he’s been there for years. he’s just right fucking there, we all know it.’ and vader is just desperately shaking down jedi like they’re magic eight-balls and he wants a better fortune. like ‘no i don’t like that try again’.  kenobi’s just sitting there in his pile of sand like a smug fucking bastard. he doesn’t need to hide jack shit. he went to the tattooine board of tourism and got them to print up flyers that say ‘COME TO TATTOOINE, WE HAVE SAND’ and luke is probably going to be safe until his midlife fucking crisis at this rate. palpatine finds vader aimlessly checking behind pieces of furniture in some shitty space motel on kamino ‘he’s on tattooine,’ palpatine says.  ‘nuh uh,’ vader says, and peers under a couch. peers under a couch This is the best Star Wars post I have read in a while.
hide: cupcakeshakesnake:
thesouthernjedi:

roachpatrol:

ghostymcspooky:

soloontherocks:

notanotherreyloblog:

thebaconsandwichofregret:

azumariko:

he was on TATOOINE you fucking loser

Obi-Wan can find an invisible planet hidden by a devious Sith Lord, Anakin can’t find his ex-best friend on his own home planet while the guy is still using his own damn name.
I know we give Obi-wan a lot of shit for leaving Luke with his real surname but Anakin really is that stupid

the perfect hiding place: the sandiest fucking planet that anakin would never set foot on again

I’d like to remind everyone again that it’s literally canon that Vader can’t step foot on Tatooine because the desert gets into his creaky old man robot joints and makes his suit break down
aka the sand is coarse, rough, irritating, and gets everywhere 

i  d o n t  l i k e  s a n d

okay but what if everyone was like ‘vader, kenobi’s on tattooine. he’s obviously on tattooine. he’s been there for years. he’s just right fucking there, we all know it.’ and vader is just desperately shaking down jedi like they’re magic eight-balls and he wants a better fortune. like ‘no i don’t like that try again’. 
kenobi’s just sitting there in his pile of sand like a smug fucking bastard. he doesn’t need to hide jack shit. he went to the tattooine board of tourism and got them to print up flyers that say ‘COME TO TATTOOINE, WE HAVE SAND’ and luke is probably going to be safe until his midlife fucking crisis at this rate.
palpatine finds vader aimlessly checking behind pieces of furniture in some shitty space motel on kamino
‘he’s on tattooine,’ palpatine says. 
‘nuh uh,’ vader says, and peers under a couch.


peers under a couch


This is the best Star Wars post I have read in a while.

cupcakeshakesnake: thesouthernjedi: roachpatrol: ghostymcspooky: soloontherocks: notanotherreyloblog: thebaconsandwichofregret: azu...