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Fall, Fire, and Love: Today 19 AM Choose your own adventure: match on tinder, you choose to... A Ghost him, proving his fear of the paranormal to be well founded. B. Set up a date but never follow through and just kind of talik for 2: months C.Have a deep and meaningful conversation D. Do tinder things E. Explore the cave for clues Today 9.20 AM Ya know usually l'd pick B because that's how it tends to go most of time but I'm feelin GOOD and LUCKY today so i You explore the cave. You find a tarch and light it. It's raining outside. You then choose to A Leave the cave and walk outsi de. B. Delve deeper into the cave C Check to see what else is in the entrance I love to delve. B You delve deeper into the cave as the light dissapears behind you. You come across a fork in the cave an you A Go left towards the sound of water B. Go right towards a faint light Today 124 PM I'm feeling kinda perched, A You enter a cavem with a waterfall flowing into a crystal clear pool. You then.. A Get into the water B. Try to climb up the waterfall C Look around In the cavem D. Go beck Today 3 29 PM B Today 0 PM You go to the waterfall, grab a rock to climb but it's slippery and you fall into the weter.. A You swim to share B. Dive down and explore C Drown Teday 8.58 PM B! You talke a gulp of air and dive down You reach the bottom of the pool and see a lava tube that looks like it loads to a place to breath, a glittering sword and a treasure chest. You choose to.. A Go in the tube and explore some more B. Grab the sword C. Try to open the chest D. Ascend to the top of the pool Stitch It! You enter the tube and find a new cavern filed with air with a single sliver of moonlight cutting throigh the center of the cavern that connects to the outside. You . A Check out the discarded journal sitting besides the moonlight sliver B. Stand inside of the sliver C Attempt to figure aut if there is a code in the stalagtites on the ceiling Today 9:33 PM HAHAHA this is getting wild ummm A You open the joumal and can see nates scrawled all over but the darkest says beware the light. On the next page is a code number but you can't make it out in the low light A Throw somath ing into the maonlight and see what happens B. Grab the joumal and go back to the previous cavern C. Toss the joumal aside and look at those stalagtites D. Try to get your wet torch to light somehow C You study the stalagtites, they dont meen anything, what did you cxpect? You pick the journal back up and... See above A B. D Today 10 4 PM You grab a rock and throw it into the moonlight beam, it catches fire lighting up the carven before it disintegrates away. Having sean this you... A Throw all the rocks you can in the beam to watch the fireworkss B.Put the end of your torch in the maonlught beam C. Go back in the upper cavern B! You light the torch! You can now see cvarything cloarly. You now. A Take the journal back out and try) to read it again B. Look around the cavern to see if you missed anything C Stick your hand in the moon beam to see if it's hat Honestly...c You stick your hand in the moon beam... Surprise it's hot. Having learned that the fite setting thing is hot you then.. A Take the journal back out and try to read it again B. Look around the cavern to see if you missed anything C. Stick your hand in the moon beam again, and science Stitch It! НАНАН can I do C and then A Your hand burns more and you can't feel your fingers anymore considering the magic fire thing this makes sense and you record it for scientific rigor. You take the journal back out and read it under the Iight You read the code that was written in it and the code is. A Sabrina's number B. 1234567890 IM INTRUIGED NOW A!! You mamorize the number then dive back into the water and approch the chest at the bottom of the lake and put in a tencdigit code. That code is.. Welcome to tinder the newest text based RPG
Fall, Fire, and Love: Today 19 AM
 Choose your own adventure:
 match on tinder,
 you choose to...
 A Ghost him, proving his fear of the
 paranormal to be well founded.
 B. Set up a date but never follow
 through and just kind of talik for 2:
 months
 C.Have a deep and meaningful
 conversation
 D. Do tinder things
 E. Explore the cave for clues
 Today 9.20 AM
 Ya know usually l'd pick B because
 that's how it tends to go most of
 time but I'm feelin GOOD and
 LUCKY today so i
 You explore the cave. You find a
 tarch and light it. It's raining outside.
 You then choose to
 A Leave the cave and walk outsi de.
 B. Delve deeper into the cave
 C Check to see what else is in the
 entrance
 I love to delve. B
 You delve deeper into the cave as
 the light dissapears behind you. You
 come across a fork in the cave an
 you
 A Go left towards the sound of
 water
 B. Go right towards a faint light
 Today 124 PM
 I'm feeling kinda perched, A
 You enter a cavem with a waterfall
 flowing into a crystal clear pool. You
 then..
 A Get into the water
 B. Try to climb up the waterfall
 C Look around In the cavem
 D. Go beck
 Today 3 29 PM
 B
 Today 0 PM
 You go to the waterfall, grab a rock
 to climb but it's slippery and you fall
 into the weter..
 A You swim to share
 B. Dive down and explore
 C Drown
 Teday 8.58 PM
 B!
 You talke a gulp of air and dive
 down You reach the bottom of the
 pool and see a lava tube that looks
 like it loads to a place to breath,
 a glittering sword and a treasure
 chest. You choose to..
 A Go in the tube and explore some
 more
 B. Grab the sword
 C. Try to open the chest
 D. Ascend to the top of the pool
 Stitch It!
 You enter the tube and find a new
 cavern filed with air with a single
 sliver of moonlight cutting throigh
 the center of the cavern that
 connects to the outside. You .
 A Check out the discarded journal
 sitting besides the moonlight sliver
 B. Stand inside of the sliver
 C Attempt to figure aut if there is a
 code in the stalagtites on the ceiling
 Today 9:33 PM
 HAHAHA this is getting wild ummm
 A
 You open the joumal and can see
 nates scrawled all over but the
 darkest says beware the light. On
 the next page is a code number but
 you can't make it out in the low light
 A Throw somath ing into the
 maonlight and see what happens
 B. Grab the joumal and go back to
 the previous cavern
 C. Toss the joumal aside and look at
 those stalagtites
 D. Try to get your wet torch to light
 somehow
 C
 You study the stalagtites, they
 dont meen anything, what did you
 cxpect? You pick the journal back
 up and...
 See above
 A
 B.
 D
 Today 10 4 PM
 You grab a rock and throw it into
 the moonlight beam, it catches fire
 lighting up the carven before it
 disintegrates away. Having sean this
 you...
 A Throw all the rocks you can in the
 beam to watch the fireworkss
 B.Put the end of your torch in the
 maonlught beam
 C. Go back in the upper cavern
 B!
 You light the torch! You can now see
 cvarything cloarly. You now.
 A Take the journal back out and try)
 to read it again
 B. Look around the cavern to see if
 you missed anything
 C Stick your hand in the moon
 beam to see if it's hat
 Honestly...c
 You stick your hand in the moon
 beam... Surprise it's hot. Having
 learned that the fite setting thing is
 hot you then..
 A Take the journal back out and try
 to read it again
 B. Look around the cavern to see if
 you missed anything
 C. Stick your hand in the moon
 beam again,
 and science
 Stitch It!
 НАНАН
 can I do C and then A
 Your hand burns more and you
 can't feel your fingers anymore
 considering the magic fire thing this
 makes sense and you record it for
 scientific rigor. You take the journal
 back out and read it under the Iight
 You read the code that was written
 in it and the code is.
 A Sabrina's number
 B. 1234567890
 IM INTRUIGED NOW A!!
 You mamorize the number then dive
 back into the water and approch the
 chest at the bottom of the lake and
 put in a tencdigit code. That code
 is..
Welcome to tinder the newest text based RPG

Welcome to tinder the newest text based RPG

Fucking, Future, and Love: UZIL SRAAK WILL BRANDISH OUR HEADS BEFORE THE QUEEN. OUR MISSION LIES BELOW. THIS IS TREASON. ONLY IF YOu TELL HIM WHAT ARE WE DOING HERE? NO. WHATEVER SLUDGE FILLS YOUR SKULL CAN TELL INTERESTING STORIES, BUT I'M CERTAIN IT'S NOT CONNECTED TO A FUCKING TRINITY OF MYSTICAL SLEEPING WORMS I'VE ALWAYS BELIEVED THAT YOUR PROPHECIES LEAKED OUT FROM THE IMULSION CORROSION IN YOUR BRAIN. FUCK THE TRINITY! I'VE A MORE GLORIOUS DEATH IN MIND YOU'VE FINALLY SEEN THE LIGHT BROTHER? CONTINUE TO OFFEND THE .GODS WITH HERESY, AND I DOUBT THEY WILL SLEEP MUCH LONGER I WOULD HAVE THE BLOODIED VANGUARD TASTE VICTORY. DRINK HOT BLOOD FROM AN ENEMY CRUSHED BY FEAR BEFORE ITS MISERABLE DEATH THEY HAVE NO IMAGINATION FOR THE ENEMY THAT MARCHES BELOW THE MINDLESS ABOMINATIONS CAN HAVE THE HOLLOW. THIS IS OUR FUTURE EATE OUR FATE エ'LL STAND WITH YOu. I REFUSE TO BE CLAIMED BY A PITIFUL END MAD BASTARD. NO, SKORGE. WE WILL COME TO A RIGHTEOUS ONE WHERE DO WE BEGIN? A SMALL MATTER OF MARCHING OUR COMPANY TO THE INNER HOLLOW, CUTTING THROUGH UZIL SRAAK AND HIS HORDE OF THERON ELITE AND GAINING AN AUDIENCE WITH THE QUEEN HERSELF AN INTERESTING PLOT... AND YET. I HAVE A BETTER PLAN MAYBE YOU SHOULD'VE STOOD NEXT TO MY MAGGOTS AND SHOWN THE HOW IT'S DONE. TRINITY'S ROTTED CORPSE RAAM... I SAID NEGOTIATE. THERE WAS A TIME WHEN I HAD ATTAINED NEAR DIVINE PRIVILEGE PROMISING ACOLYTE OF THE KANTUS. EXCLUSIVE QUARTERS. BREEDING RIGHTS, EVEN. CАНАНАНА! ONLY FUCKING I SEE NOW IS BY PRUDGE TENTACLES YOUR HUBRIS iS GOING TO BE THE DEATH OF ME! taco-flavored-kisses: I love how this Rise of RAAM comic is portraying Skorge and RAAM. They are total bros. Like Marcus and Dom.I never expected these two to work with each other, much less be buddies… but damn do I love it.They even call each other “brother”.
Fucking, Future, and Love: UZIL SRAAK WILL
 BRANDISH OUR
 HEADS BEFORE THE
 QUEEN. OUR MISSION
 LIES BELOW. THIS
 IS TREASON.
 ONLY IF
 YOu TELL
 HIM
 WHAT ARE
 WE DOING
 HERE?
 NO. WHATEVER
 SLUDGE FILLS YOUR
 SKULL CAN TELL
 INTERESTING STORIES,
 BUT I'M CERTAIN IT'S
 NOT CONNECTED TO A
 FUCKING TRINITY OF
 MYSTICAL SLEEPING
 WORMS
 I'VE ALWAYS
 BELIEVED THAT
 YOUR PROPHECIES
 LEAKED OUT FROM
 THE IMULSION
 CORROSION IN
 YOUR BRAIN.
 FUCK THE
 TRINITY! I'VE A
 MORE GLORIOUS
 DEATH IN MIND
 YOU'VE
 FINALLY SEEN
 THE LIGHT
 BROTHER?
 CONTINUE TO
 OFFEND THE
 .GODS WITH
 HERESY, AND I
 DOUBT THEY WILL
 SLEEP MUCH
 LONGER

 I WOULD HAVE THE BLOODIED
 VANGUARD TASTE VICTORY. DRINK
 HOT BLOOD FROM AN ENEMY
 CRUSHED BY FEAR BEFORE
 ITS MISERABLE DEATH
 THEY HAVE NO
 IMAGINATION FOR
 THE ENEMY THAT
 MARCHES
 BELOW
 THE MINDLESS
 ABOMINATIONS
 CAN HAVE THE
 HOLLOW. THIS IS
 OUR FUTURE
 EATE
 OUR FATE
 エ'LL STAND
 WITH YOu. I
 REFUSE TO BE
 CLAIMED BY A
 PITIFUL END
 MAD
 BASTARD.
 NO, SKORGE.
 WE WILL COME
 TO A RIGHTEOUS
 ONE
 WHERE
 DO WE
 BEGIN?
 A SMALL MATTER
 OF MARCHING OUR
 COMPANY TO THE INNER
 HOLLOW, CUTTING
 THROUGH UZIL SRAAK AND
 HIS HORDE OF THERON
 ELITE AND GAINING AN
 AUDIENCE WITH THE
 QUEEN HERSELF
 AN
 INTERESTING
 PLOT... AND
 YET.
 I HAVE A
 BETTER
 PLAN

 MAYBE YOU
 SHOULD'VE
 STOOD NEXT TO
 MY MAGGOTS AND
 SHOWN THE HOW
 IT'S DONE.
 TRINITY'S
 ROTTED CORPSE
 RAAM... I SAID
 NEGOTIATE.

 THERE WAS A TIME
 WHEN I HAD ATTAINED
 NEAR DIVINE PRIVILEGE
 PROMISING ACOLYTE OF
 THE KANTUS. EXCLUSIVE
 QUARTERS. BREEDING
 RIGHTS, EVEN.
 CАНАНАНА!
 ONLY FUCKING
 I SEE NOW IS
 BY PRUDGE
 TENTACLES

 YOUR HUBRIS
 iS GOING TO
 BE THE DEATH
 OF ME!
taco-flavored-kisses:

I love how this Rise of RAAM comic is portraying Skorge and RAAM. They are total bros. Like Marcus and Dom.I never expected these two to work with each other, much less be buddies… but damn do I love it.They even call each other “brother”.

taco-flavored-kisses: I love how this Rise of RAAM comic is portraying Skorge and RAAM. They are total bros. Like Marcus and Dom.I never ex...

God, Jedi, and Life: Technically, he wasn't supposed to be outside the Temple at all, not without Obi-Wan's permission "Technically" is just another way of saying you are breaking the rules, Obi-Wan would say. Either you obey a rule, or you do not He was devoted to his Master, yet sometimes Obi-Wan's earnestness could really get in the way. Anakin didn't believe in breaking Jedi rules. He just wanted to find the spaces between them Anakin was well aware that his Master knew of these midnight jaunts. Obi-Wan was amazingly perceptive. He could sense a shift in emotion or thought faster than an eyeblink Thank the moon and stars that Obi-Wan also preferred not to hear about his midnight trips. As long as Anakin was discreet and didn't get into trouble, Obi-Wan would turn a blind eye Anakin didn't want to trouble Obi-Wan, but he couldn't help himself. As the night wore on and the Temple quieted, as the Jedi students turned off their glow rods and settled down for night meditation and sleep, Anakin just got restless. The lure of the streets called him. There were projects he had to complete, droids he was building or refining, parts to scavenge, rusty treasures to uncover. But mostly he just needed to be outside, under the stars Only those of us who have been slaves can he sometimes thought. really taste freedom, gffa: Way of the Apprentice | by Jude WatsonI GIVE ANAKIN A LOT OF SHIT, BUT I REALLY LIKE THIS MOMENT A LOT.  I love that he feels a restlessness that the other Jedi don’t, because they grew up in a safe, secure, supportive environment, and Obi-Wan gets that Anakin isn’t quite the same and needs to run around a bit more.  It’s just FEELINGS ALL OVER THE PLACE FOR BOTH OF THEM.And I love that it shows the balance Obi-Wan is striking with Anakin–”either you obey a rule or you do not” is cutting through to the spirit of things, but that’s not necessarily a judgement thing.  Obi-Wan himself is “breaking the rules” by turning a blind eye to Anakin going out at night, because it’s for the good.  It fits so much with how it’s not about the letter of the law but about the spirit and intention of what you’re doing, the motivation behind it, the why of it, the bigger context of it.  That’s why it’s important to put in that Obi-Wan could sense the shift of an emotion in the blink of an eye, why it’s tied into the same context of Obi-Wan turning a blind eye when Anakin genuinely does need to get out and move.And I love that Anakin recognizes this part about himself.  He spends so much of his life not really understanding himself or what he really needs, that this moment of something that actually seems to help, along with how heartbreaking it is that he has to experience this feeling at all, just makes me allp.s. “Obi-Wan was amazingly perceptive.  He could sense the shift in emotion or thought faster than an eyeblink.” oh my god Anakin sounds EXACTLY LIKE ME when I talk about Obi-Wan, “He’s the greatest person who ever lived, he’s the smartest person who ever lived, THERE IS NO ONE BETTER.”SAME, ANAKIN.  SAME.  RIGHT DOWN TO I AM MAKING THE SAME EXACT FACE WHILE READING THIS BOOK.
God, Jedi, and Life: Technically, he wasn't supposed to be outside the Temple at all,
 not without Obi-Wan's permission
 "Technically" is just another way of saying you are breaking the
 rules, Obi-Wan would say. Either you obey a rule, or you do not
 He was devoted to his Master, yet sometimes Obi-Wan's
 earnestness could really get in the way. Anakin didn't believe in
 breaking Jedi rules. He just wanted to find the spaces between
 them
 Anakin was well aware that his Master knew of these
 midnight jaunts. Obi-Wan was amazingly perceptive. He could
 sense a shift in emotion or
 thought faster than an eyeblink
 Thank the moon and stars that Obi-Wan also preferred not to
 hear about his midnight trips. As long as Anakin was discreet
 and didn't get into trouble, Obi-Wan would turn a blind eye
 Anakin didn't want to trouble Obi-Wan, but he couldn't help
 himself. As the night wore on and the Temple quieted, as the
 Jedi students turned off their glow rods and settled down for
 night meditation and sleep, Anakin just got restless. The lure of
 the streets called him. There were projects he had to complete,
 droids he was building or refining, parts to scavenge, rusty
 treasures to uncover. But mostly he just needed to be outside,
 under the stars
 Only those of us who have been slaves can
 he sometimes thought.
 really taste freedom,
gffa:



Way of the Apprentice | by Jude WatsonI GIVE ANAKIN A LOT OF SHIT, BUT I REALLY LIKE THIS MOMENT A LOT.  I love that he feels a restlessness that the other Jedi don’t, because they grew up in a safe, secure, supportive environment, and Obi-Wan gets that Anakin isn’t quite the same and needs to run around a bit more.  It’s just FEELINGS ALL OVER THE PLACE FOR BOTH OF THEM.And I love that it shows the balance Obi-Wan is striking with Anakin–”either you obey a rule or you do not” is cutting through to the spirit of things, but that’s not necessarily a judgement thing.  Obi-Wan himself is “breaking the rules” by turning a blind eye to Anakin going out at night, because it’s for the good.  It fits so much with how it’s not about the letter of the law but about the spirit and intention of what you’re doing, the motivation behind it, the why of it, the bigger context of it.  That’s why it’s important to put in that Obi-Wan could sense the shift of an emotion in the blink of an eye, why it’s tied into the same context of Obi-Wan turning a blind eye when Anakin genuinely does need to get out and move.And I love that Anakin recognizes this part about himself.  He spends so much of his life not really understanding himself or what he really needs, that this moment of something that actually seems to help, along with how heartbreaking it is that he has to experience this feeling at all, just makes me allp.s. “Obi-Wan was amazingly perceptive.  He could sense the shift in emotion or thought faster than an eyeblink.” oh my god Anakin sounds EXACTLY LIKE ME when I talk about Obi-Wan, “He’s the greatest person who ever lived, he’s the smartest person who ever lived, THERE IS NO ONE BETTER.”SAME, ANAKIN.  SAME.  RIGHT DOWN TO I AM MAKING THE SAME EXACT FACE WHILE READING THIS BOOK.

gffa: Way of the Apprentice | by Jude WatsonI GIVE ANAKIN A LOT OF SHIT, BUT I REALLY LIKE THIS MOMENT A LOT.  I love that he feels a res...

Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho. 2 hrs Well, this just happened. Milo Manara, master artist and storyteller, came in at the last ten minutes of my Art and Women panel and handed me a special gift in appreciation for fighting censorship- an original watercolor painting of Spider-Woman. The packed auditorium went wild. Wow. I'm just speechless CHO! NERT SE prasLE THE caMERa 2G CRap! IG a stock N HEET CRP SERNG P 1RT ENTM FR MA RA what-the-fandomm: 2sunchild2: kukumomoart: chancethereaper: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: auntiewanda: brithwyr: auntiewanda: brithwyr: auntiewanda: houroftheanarchistwolf: aawb: starsapphire: is it time for frank cho and milo manara to die or what That’s basically a naked woman I’m YELLING What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that? It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot.  It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for.  I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..? And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters.  Come on, let’s not pretend this is a male exclusive thing. We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine.  What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do. This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks:  Also:  He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence. You can see her butthole for chrissakes I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers. Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity. Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs. Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock. Men want objects. Women want PEOPLE. This is the first time I have EVER seen this false equivalence articulated so well. Thank you. bro you can literally see every fold of her pussy that just isn’t how fabric works Lol body painting literally Clothes don’t suction themselves around tiddies.If that was the case I’d be wearing hoodies all year i mean there is dangerous objectification for male characters, but it’s not prevalent in written or drawn sources because that doesn’t harm the person and therefore isn’t relevant. it’s only something to bring into the conversation when you’re talking about how it affects the actors.male actors are sometimes forced to starve for days so that they can get scenes where their muscles are stood out (there’s a really good post with article links about this i’ll try to find it), but these drawings don’t affect an actual personit’s a completely different subjectand i mean for god’s sake you can’t counter the fact that someone deliberately drew her with her coochie out with some bullshit about how male characters are hyper-masculine in a glorified way
Clothes, Dad, and Feminism: Frank Cho added 2 new photos with Frank D Cho.
 2 hrs
 Well, this just happened.
 Milo Manara, master artist and storyteller, came in at the last ten minutes of
 my Art and Women panel and handed me a special gift in appreciation for
 fighting censorship- an original watercolor painting of Spider-Woman. The
 packed auditorium went wild.
 Wow. I'm just speechless
 CHO!
 NERT SE
 prasLE THE
 caMERa 2G
 CRap! IG a
 stock N HEET
 CRP SERNG P
 1RT
 ENTM
 FR
 MA
 RA
what-the-fandomm:

2sunchild2:

kukumomoart:
chancethereaper:

aglassroseneverfades:

pmastamonkmonk:

schnerp:

feminism-is-radical:

auntiewanda:

brithwyr:

auntiewanda:

brithwyr:

auntiewanda:

houroftheanarchistwolf:

aawb:

starsapphire:

is it time for frank cho and milo manara to die or what

That’s basically a naked woman I’m YELLING

What a pervert. What the FUCK does he not know how clothes work? What the hypothetical fuck is she wearing then if we can see all that?

It’s like how bath towels in comics miraculously wrap completely around breasts. Or how even when injured and dead on the ground women in comics have to be twisted into “sexy” poses. Or how women in comics walk like they’re in high heels even barefoot. 
It’s the only way men know how to draw women, because to them female characters are only there to be sexy. They only think of “women” as exploitative costumes and camera angles, high heels and titillation. Sex objects to ogle, plot objects to further male heroes’ narratives and drama, not heroes to cheer for. 

I’m sorry, I was labouring under the impression that this was the crowd that thought women should wear what they want..?

And that applies to fictional women who are depicted by men how? You can’t apply agency in the plot to something metatextual when it comes to fictional characters. 

Come on, let’s not pretend this is a male exclusive thing.

We’re going to have this argument are we? Not to mention you’re deviating from the original point that attributing agency to fictional characters’ clothing is asinine. 
What you have here are images of power, and do you really believe these characters are designed with titillating heterosexual women and bisexual and homosexual men in mind? Because I don’t think you do.
This is why the Hawkeye Initiative exists. Take common female poses in comics, put a man in the role, and see how “empowering” and “strong” it actually looks: 
Also: 

He got the painting for fighting against ‘censorship.’ Note that they handed him a gross design of a female being objectified, because at the end of the day, that is all they really want, to be allowed to objectify women. They don’t care about censorship in general it is about their ability to sexualise and degrade women without consequence.


You can see her butthole for chrissakes

I think the best imagery I’ve seen to explain the difference between what men think male objectification is vs what women actually want to see is the Hugh Jackman magazine covers.
Hugh Jackman on a men’s magazine. He’s shirtless and buff and angry. He’s imposing and aggressive. This is a male power fantasy, it’s what men want to be and aspire to - intense masculinity.
Hugh Jackman on a women’s magazine.  He looks like a dad. He looks like he’s going to bake me a quiche and sit and watch Game of Thrones with me. He looks like he gives really good hugs.
Men think women want big hulking naked men in loin cloths which is why they always quote He-Man as male objectification - without realizing that He Man is naked and buff in a loin cloth because MEN WANT HIM TO BE. More women would be happy to see him in a pink apron cutting vegetables and singing off-key to 70s rock.
Men want objects. Women want PEOPLE. 

This is the first time I have EVER seen this false equivalence articulated so well. Thank you.

bro you can literally see every fold of her pussy that just isn’t how fabric works

Lol body painting literally


Clothes don’t suction themselves around tiddies.If that was the case I’d be wearing hoodies all year

i mean there is dangerous objectification for male characters, but it’s not prevalent in written or drawn sources because that doesn’t harm the person and therefore isn’t relevant. it’s only something to bring into the conversation when you’re talking about how it affects the actors.male actors are sometimes forced to starve for days so that they can get scenes where their muscles are stood out (there’s a really good post with article links about this i’ll try to find it), but these drawings don’t affect an actual personit’s a completely different subjectand i mean for god’s sake you can’t counter the fact that someone deliberately drew her with her coochie out with some bullshit about how male characters are hyper-masculine in a glorified way

what-the-fandomm: 2sunchild2: kukumomoart: chancethereaper: aglassroseneverfades: pmastamonkmonk: schnerp: feminism-is-radical: aunti...

Fashion, Feminism, and Fucking: GOOD MORNING A WOMAN A CREWMAN duckbunny: quirkquartz: socialistexan: jazzchordravepiano: wetwareproblem: amayakumiko: thetrekkiehasthephonebox: spocks–cock: Christopher: A woman? Kirk: A crewman. OH LOOK AT THAT THE 1960S AND SHE’S IN COMMAND GOLD FUCKERS. She’s not in Medical blue, a caretaking, feminine role.   Those in Gold were either OFFICERS, NAVIGATORS, PILOTS, TACTICAL OFFICERS, or WEAPONS SPECIALISTS.   This is the Kirk everyone likes to forget. Y’all, if you care about feminism, then you ought to care about the history and context of the miniskirt. The 60s were an era of rebellion against the 50s, and the skirts were part of it. They were literally cutting edge fashion, and a statement that women made against the more housewifey style of skirt from the decade before. It was Grace Lee Whitney herself who suggested to Roddenberry that they wear them, and Nichelle Nichols has said she never had a problem with them. They are a product of their time yes, but the women chose to wear them because of the context of that time.  Also some men in Starfleet ware miniskirts and dresses: And some of the women wear pants: They’re given the power of choice, regardless of gender or sex. Shit ‘-’ None of this even clicked to me - Thats fucking glorious :D Picard in that dress is so good. Look at him! He looks formal and serious and dignified! He looks like he’s captain of his ship and he’s got some important business to do. And he’s in a dress and tights. And it’s not a joke. It’s not a joke about a man in a dress! It’s just, you know, a man who is wearing a dress, and that’s normal and appropriate. It’s part of the uniform. It fits him. It’s totally unremarkable and that is so rare and I’m so happy.
Fashion, Feminism, and Fucking: GOOD MORNING

 A WOMAN
 A CREWMAN
duckbunny:

quirkquartz:


socialistexan:

jazzchordravepiano:

wetwareproblem:

amayakumiko:

thetrekkiehasthephonebox:

spocks–cock:

Christopher: A woman? Kirk: A crewman.

OH LOOK AT THAT THE 1960S

AND SHE’S IN COMMAND GOLD FUCKERS.
She’s not in Medical blue, a caretaking, feminine role.  
Those in Gold were either OFFICERS, NAVIGATORS, PILOTS, TACTICAL OFFICERS, or WEAPONS SPECIALISTS.  

This is the Kirk everyone likes to forget.

Y’all, if you care about feminism, then you ought to care about the history and context of the miniskirt. The 60s were an era of rebellion against the 50s, and the skirts were part of it. They were literally cutting edge fashion, and a statement that women made against the more housewifey style of skirt from the decade before. It was Grace Lee Whitney herself who suggested to Roddenberry that they wear them, and Nichelle Nichols has said she never had a problem with them. They are a product of their time yes, but the women chose to wear them because of the context of that time. 

Also some men in Starfleet ware miniskirts and dresses:
And some of the women wear pants:
They’re given the power of choice, regardless of gender or sex. 

Shit ‘-’ None of this even clicked to me - Thats fucking glorious :D


Picard in that dress is so good. Look at him! He looks formal and serious and dignified! He looks like he’s captain of his ship and he’s got some important business to do. And he’s in a dress and tights. And it’s not a joke. It’s not a joke about a man in a dress! It’s just, you know, a man who is wearing a dress, and that’s normal and appropriate. It’s part of the uniform. It fits him. It’s totally unremarkable and that is so rare and I’m so happy.

duckbunny: quirkquartz: socialistexan: jazzchordravepiano: wetwareproblem: amayakumiko: thetrekkiehasthephonebox: spocks–cock: Chri...

Abc, Be Like, and Come Over: abc honeydrippingbeehives: ohhellorula: Bill Hader’s knife story is the funniest thing ever TRANSCRIPTIONBill Hader: This funny thing… As PAs we would all hang out. And there was this guy named Big–I was Little Bill on that show because there was a guy named Big Bill, he was like 6′7″–and this other guy named Jason Altieri. And one time Jason, he had this giant bowie knife, like a Rambo knife, and he was hitting a tree with it. [audience laughter] This is what we would do. [Bill laughs] This is Hollywood, guys!Jimmy Kimmel: You’re practicing editing!Bill: Yeah, he was editing! [unintelligible + laughter]Jimmy: The old-fashioned way.Bill: The old-fashioned way. This is the way they did it on Gone With The Wind, I tell ya! [audience laughter] You gotta get your editing thing together, your editing arm down. So he was cutting this thing and we were laughing, and then Bill comes over and he’s like “Hey, J, you should really stop messing with”–this is a cigarette–”you really should stop messing with the knife.” And J went [grunting noises] and he went “Hey, come on! Don’t do that.” And he walked away. Then Bucky, our prop guy, came over and he goes “Hey, I got that exact same knife but it’s retractable. It’s fake.” [inaudible + laughter] So he gets the fake one. He’s doing this…[Bill laughs] And it’s one of those things where we waited, like, an hour. [audience laughter] Like, you couldn’t go, “Hey, Bill! Come over here!” You had to be like…He has to just walk over. So we’re waiting for an hour and J is like “Guys, is he over? Ah, come on, man!” So finally, Bill comes over and goes, “Hey, are you still messing with that knife? You should stop messing with the knife, man.” And he went [grunting noise], and he went “I told you, don’t do that!” And then he just went [clunking sound effect] and stuck him right in the chest [Bill laughs] and Bill went “WHY?!” [laughter] He thought he was murdered! He legit thought he just got murdered! [Bill laughs] And we were…Oh, we were laughing so hard! [laughter] He just went “WHY?!” like that’s the thing you would say.[Bill laughs]Jimmy: Call his parents to tell his final words [Jimmy laughs]Bill: “What did Bill say?” Wait, wait til you hear what he said when he… [inaudible + laughter] He yelled “Why?” [Bill laughs]Jimmy: Oh, that’s good. Oh, boy.
Abc, Be Like, and Come Over: abc
honeydrippingbeehives:

ohhellorula:
Bill Hader’s knife story is the funniest thing ever
TRANSCRIPTIONBill Hader: This funny thing… As PAs we would all hang out. And there was this guy named Big–I was Little Bill on that show because there was a guy named Big Bill, he was like 6′7″–and this other guy named Jason Altieri. And one time Jason, he had this giant bowie knife, like a Rambo knife, and he was hitting a tree with it. [audience laughter] This is what we would do. [Bill laughs] This is Hollywood, guys!Jimmy Kimmel: You’re practicing editing!Bill: Yeah, he was editing! [unintelligible + laughter]Jimmy: The old-fashioned way.Bill: The old-fashioned way. This is the way they did it on Gone With The Wind, I tell ya! [audience laughter] You gotta get your editing thing together, your editing arm down. So he was cutting this thing and we were laughing, and then Bill comes over and he’s like “Hey, J, you should really stop messing with”–this is a cigarette–”you really should stop messing with the knife.” And J went [grunting noises] and he went “Hey, come on! Don’t do that.” And he walked away. Then Bucky, our prop guy, came over and he goes “Hey, I got that exact same knife but it’s retractable. It’s fake.” [inaudible + laughter] So he gets the fake one. He’s doing this…[Bill laughs] And it’s one of those things where we waited, like, an hour. [audience laughter] Like, you couldn’t go, “Hey, Bill! Come over here!” You had to be like…He has to just walk over. So we’re waiting for an hour and J is like “Guys, is he over? Ah, come on, man!” So finally, Bill comes over and goes, “Hey, are you still messing with that knife? You should stop messing with the knife, man.” And he went [grunting noise], and he went “I told you, don’t do that!” And then he just went [clunking sound effect] and stuck him right in the chest [Bill laughs] and Bill went “WHY?!” [laughter] He thought he was murdered! He legit thought he just got murdered! [Bill laughs] And we were…Oh, we were laughing so hard! [laughter] He just went “WHY?!” like that’s the thing you would say.[Bill laughs]Jimmy: Call his parents to tell his final words [Jimmy laughs]Bill: “What did Bill say?” Wait, wait til you hear what he said when he… [inaudible + laughter] He yelled “Why?” [Bill laughs]Jimmy: Oh, that’s good. Oh, boy.

honeydrippingbeehives: ohhellorula: Bill Hader’s knife story is the funniest thing ever TRANSCRIPTIONBill Hader: This funny thing… As PAs w...